春暖
春暖
回复 :摘自:verycd一个深秋月夜,许州大牢内,一位杀人如麻,武功高绝的江洋大盗-丁虎(苗天)被手铐脚镣着,等待午时正法。天近黎明时,大牢墙外潜伏着三名劫狱者,正是逍遥镇地头蛇高连残(万重山)的得力手下「冀男三恶」,三恶毒杀了狱卒,救出了丁虎。原来丁虎为众人所要的人质,因藏有历年来掠夺的金银财宝无数。许州府衙捕头柳某膝下有女菱花(上官灵凤),生性高傲刚强,胆大心细,武艺高强,虽是女流,不亚须眉。一位性情怪癖,耿直英勇,出剑如电的青年剑客-龙真(田鹏)也被迫参与这场抢夺人质的混战中,只因为龙真答应丁虎的母亲,带回丁虎,见到最后一面。不料在连陞客栈等候多日,竟然被「冀男三恶」先下手,抢走了丁虎。菱花误以为龙真是劫狱者的同党,连夜与父亲率领众捕快赶至客栈客栈缉拿龙真。这时又出现一位不速之客,人称中州少侠魏如风(江彬),从中阻挠。此人身手灵巧,诙谐多智,仗义行侠,为人所乐道。两侠客协力摆脱了菱花及众捕快的纠缠。龙真竟然不领魏如风之盛情,在山谷溪中迫魏落水,独自离去。菱花赶到,魏如风狼狈不堪。经魏说明原委,才知道这位少侠并非龙真的同路人。而是为了取得丁虎历年所得之赃银,赈救河北水患灾民。话说丁虎被救出大牢带至高家酒坊,此时,菱与魏也赶至,於是展开一场厮杀,酒坊因此起火焚烧。龙趁机救就出昏迷的丁虎,竟被魏如风强行夺走。龙身受腿伤,不敢恋栈,与菱花相偕夺门而去。酒坊已毁,高率领众人移地,离开逍遥镇。再说魏胁丁虎一路奔跑,於一荒凉破庙中歇脚,冤家路窄,竟被龙、菱两人撞上,三人谈判之时.....
回复 :由萨姆.富勒、米尔顿.史派灵编剧的本片描述一队二千人的志愿军综合部队,奉命前往缅甸战场,经过一关又一关的据点攻击战,最后全队只剩下一百人。本片表现人类在劣境中的忍耐力和战斗力,将“世上无难事,只怕有心人“这句名言作了强有力的诠释。全片大部分在菲律宾的森林地带拍摄,导演塞缪尔.富勒对人物性格的刻画与炮火连天的战争场面都处理得非常出色,杰夫.陈德勒、泰.哈定等在片中都有精彩表演。麦瑞尔突击队(Merrill`s Marauders),简称麦支队,是 二战 时期 美国陆军 在 中缅印战区 的一只 突击队 。部队的正式番号是第五三○七临时样合支队,部队长官是 法兰克·麦瑞尔 准将。麦支队也译作梅列尔突击队,砀称梅支队 麦瑞尔突击队是 美国 总统 罗斯福 和 英国 首相 邱吉尔 在 1943年 魁北克会议上为部署反攻 缅甸 而成立的一支特别部队,由招募自 巴拿马 、 千里达 、 危地马拉 等地的美国志愿兵组成。支队由 法兰克·麦瑞尔 准将算,兵力相当一个团,共有2900人,分成六个小队。麦瑞尔突击队的任务 ??深入缅甸 日军 后方,切断日军的供应和交通。 麦瑠尔突击队由 中缅印战区 司令 史迪威 将军统帅,与 中国 孙立人 将军率领的 中国远征军 新38师,新22师等单位共同作战。在反攠密支那 的战役中全歼日军守军,取得了 密支那大捷 。 1954年 麦瑞尔突击队改制为75步兵团,是75 游骑兵 团的前身,也是美军 特种部队 的前身。
回复 :A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become.Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.