三桥贵志以转校为契机，亚洲决定在新学校“嚣张”一把，亚洲从此做个不良少年。为了能在同学中获得存在感，他还特地去发廊弄了一头金色卷发。而和他转到同一所学校的伊藤也有同样的想法。在开学第一天，伊藤和三桥就发现了彼此的秘密，也因此结成盟友。三桥的信条是“无论用多么卑鄙的手段，只要能赢就行”，所以，在和别人打架的时候只要能玩阴的就绝对不正面对抗，但他真正的实力也不容小觑。伊藤为人处世相对正经，有时候甚至会慢半拍，也因此常常被三桥利用且被蒙在鼓里，而在打架方面，他战斗力超群，有着不服输的信念。两个人一起挑战校内校外的不良少年，引发了一连串爆笑事件。
胡培蔚
回复 :This is an unusual film of exceptional values--75 minutes long in color, with hardly any spoken dialogs. I saw this Iranian film in Farsi without English subtitles at the Early Iranian cinema retrospective on-going International Film Festival of Kerala, India. That I was watching a print without subtitles did not make a difference as there were very few lines of spoken dialogs.This is a very accessible film for any audience to enjoy--its story and values are not merely Iranian, it's universal.The film is set in rural Iran that had not tasted petro-dollar prosperity. The setting is on fringes of desert land, where water is scarce, rainfall scanty and hardly any blade of grass is green. Add to it wind and dust that buffets and whips man and animal and you can imagine plight of the people who live on the fringes of society.The film is moving tale of a young teenager returning to his village with a goat--only to find his family and villagers have moved on to escape natures vagaries and that one old man remains. He gives the goat to him and goes in search of his family. Water is scarce and well water it treated with reverence and never wasted.
七郎
回复 :這是真實歷史事件：1995年，伊朗政府秘密策劃暗杀21個作家與記者，但行動失敗，只留下一份披露這次計劃的手稿。導演為這段黑歷史譜上後續：20年後，官方僱用兩個殺手尋找這份手稿，因為它記載的真相將威脅到獨裁政權。殺手Morteza與Khosrow如同往常一樣以熟練的手法恐嚇迫問知情者——只是這次的受害者，正是當年倖存、今天仍受政府壓迫的作家。導演以虛構的現在與真實的過去交織，意欲發掘事件真相。在極權政府眼中，真相卻是不能說的秘密，對人權的踐踏又豈止一場夢魘？因為導演身上長達20年的禁拍令，拍攝這部電影本身已是罪，為了保護參與的人員，除導演外全片所有演員與工作人員的名字均沒有列明，濔漫的白色恐怖卻正正成為戲中無言暴力的明證。
曼迪摩尔
回复 :本片是一部洋溢欢笑和喜庆的东北农村贺岁喜剧。讲述东北某贫困村——老烧锅村，前第一书记姜大为（杨志刚 饰）帮扶最后五个“脱贫钉子户”的故事。姜大为带着北京某单位下拨的脱贫专项款，冒着大风雪重返曾经奋斗过的老烧锅村，亲自走访村里最后五户贫困户，挨家挨户吃年饭，了解每户的真实困境，有针对性地“对症下药”，让有着“尖、懒、馋、滑”陋习的村民认识到自身贫困的真正原因，通过搞科技养殖合作社，发挥每个人的特长，使五户贫困户认识到自己的特长和优势，重拾生活的信心，从精神和物质上实现“双脱贫”。
