足迹遍布全球的英国军火承包商莱克斯·沃克尔（克雷格·法布拉斯 Craig Fairbrass 饰）突然得到一个惊人的消息，欲女养眼他唯一的女儿萨曼莎（梅丽莎·奥德维 Melissa Ordway 饰）在好莱坞被人杀害，欲女养眼警方要求他尽快赶到洛杉矶将尸体运回伦敦。脾气暴躁的莱克斯简直不敢相信这个事实，他顶撞试图阻拦他的上司，执意赶往美国。谁知来到当地才发现，死者并非他的女儿，可是萨曼莎也下落不明。通过女儿的通讯记录，他顺藤摸瓜找到一家大型企业。对方老板否认和萨曼莎有过任何瓜葛，惹得莱克斯大闹公司，被警察请到警局。为了查清女儿的下落，莱克斯凭一己之力走遍这个充满罪恶的华丽都市，真相慢慢浮出水面……
罗美玲
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
潘晓峰
回复 :李婷婷和梁静都有着不堪回首的往事，两人的经历虽然不同，却有个共同点，两人都是精神分裂，只要一想起往事的情节，就如同疯了一样，不能自我。林雪是90后，家境好且好贪玩，刁蛮任性，唯宇小凡为偶像，做事从不考虑后果。梁静和李婷婷因为遭遇之故相互怜惜，林雪因为寻找刺激和两人搭档。嫉恶如仇的三人在寻找李婷婷的仇人长毛的同时，不断打击遇到的违法人员。警方察觉到三姐妹，派卧底小龙调查，三姐妹误打误撞陷入了一场与毒贩斗智斗勇的漩涡当中。
杨沐
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