信心两次问卜,老师都说她的丈夫是戴蒙,老师但戴蒙始终没有出现。但就在她结婚前十天,她的未婚夫却接到中学校友戴蒙的来信,信心知道这个就是她要等的人,于是千里迢迢的飞到意大利寻戴蒙。《休斯顿邮报》一篇影评说“本片是《缘份的天空》以来最好笑与可爱浪漫的喜剧。
信心两次问卜,老师都说她的丈夫是戴蒙,老师但戴蒙始终没有出现。但就在她结婚前十天,她的未婚夫却接到中学校友戴蒙的来信,信心知道这个就是她要等的人,于是千里迢迢的飞到意大利寻戴蒙。《休斯顿邮报》一篇影评说“本片是《缘份的天空》以来最好笑与可爱浪漫的喜剧。
回复 :Anna is 60 and her acting heyday is now behind her. She lives on her own but has a friend and confidant in her downstairs neighbour Michel, who is also single. Reluctantly, Anna accepts a job as a language coach for 17-year-old Adrian who has a speech impediment and is something of a misfit. She recognises him as the boy who recently snatched her handbag in the street ...“Irresistible” is the term that springs to mind when describing this light-footed and humorous story of an impossible love affair between a thief and a lady. Director Nicolette Krebitz handles the fragile balance between the dictates of society and the heart with great care. The fresh breath of freedom blows through a narrative that makes room for a nod to old West Berlin, some gentle teasing of Germany’s French neighbours, and even a ghost that is chased away to make way for new possibilities. But most of all, A E I O U is a passionate love letter to Sophie Rois and, perhaps through her, all the brilliant actors neglected by an industry all too fond of young blood. Well, it turns out that these young players, embodied here by newcomer Milan Herms, not only look up to their more experienced peers, they truly love them.
回复 :本片为八十年代由蓝乃才导演的写实警匪片。故事讲述侦缉警长赵敬才(罗莽 饰)因一次行动,连累下属被劫匪击毙,而被上司指责处事鲁莽,改派督察邱正明(苗侨伟 饰)接办案件。敬才与正明办案作风迥异,冲突日多。职业杀手利子健(白彪 饰)受雇来港狙杀殷商徐文(王戎 饰),岂料行动时却误中副车,仅杀死徐文之助手;当徐文查得杀手为子健後,急欲除之。警方接获线报,即派正明与敬才率队出发,阻止黑帮火并……
回复 :荷兰导演保罗·韦尔霍文首部进军美国影坛的中世纪传奇动作片,风格强烈而狂妄。男主角拉特格.豪厄主演霍文的《橘子战士》而成名,两人再度合作时已身价大涨。故事描述十六世纪时欧洲发生十字军东征,浪人马丁与一群乌合之众组成十字军四出攻城略地,爵爷曾答允在破城后让手下掠取财物二十小时,但其后食言,更下令军队围捕马丁。在爵爷之子史蒂芬与安妮举行婚礼时,马丁率众前来报仇抢走安妮。史蒂芬为了武士英名必须夺回妻子,但安妮却跟马丁日久生情,三角情欲使战火加速燃烧。美国女星珍妮弗.贾森.利在这部阳刚的暴力片中是红点,表现不俗。导演简要:Paul Verhoeven 生於荷兰的阿姆斯特丹,拥有数学及物理双博士头衔。服役期间,替荷兰皇家海军拍摄纪录片,退伍後在电视台担任导演工作,拍了一部深入的纪录片《穆瑟》。让他受到国外瞩目的是三部由荷兰制作的电影:Soldier of Orange (1979)、Spetters (1980) 及 The Forth Man (1983)。1985年,Verhoeven 利用美国资金执导第一部片Flesh & Blood,差一点被列为X级,两年後,进军好莱坞的Robocop,更让美国观众见识到激烈的暴力美学。十分重视创作自由他,必须确定片子不会在影片完成後受干预,而充满争议色彩的风格及处在剪刀边缘的尺度,使他成为美国电影界十分出色的荷兰藉导演。