剧情简介
一个初入影坛的女演员接下了一部关于著名女演员莱拉·克莱尔的电影，字幕中文莱拉·克莱尔在新婚之夜的神秘死亡曾是影坛的一桩大事件。当电影开拍后，字幕中文这个演员却如同莱拉·克莱尔附身，所有事情都越来越疯狂了。
字幕网资源站中文
一个初入影坛的女演员接下了一部关于著名女演员莱拉·克莱尔的电影，字幕中文莱拉·克莱尔在新婚之夜的神秘死亡曾是影坛的一桩大事件。当电影开拍后，字幕中文这个演员却如同莱拉·克莱尔附身，所有事情都越来越疯狂了。
仁科
回复 :一九三九年之夏，十三歲男孩獨自前往與世隔絕的孤島，擔當燈塔主人的助手。風景如畫的小島，其實是個無處可逃的牢籠。操控欲強的嚴苛父親培養出唯命是從的乖巧兒子，因為陌生男孩的闖入，本來絕對封閉的家庭開始失衡。嚴格支配一切的燈塔主人，逼出男孩的絕地反抗。導演以獨特的女性視角，描繪父子、手足、師徒的權力關係，譜出忠誠、背叛、嫉妒的情感張力。對下一代的過份期望反為孩子帶來無可挽回的身心創傷。代表芬蘭出戰奧斯卡金像獎最佳外語片。2014/ 瑞典哥德堡電影節 Telia 獎2014/ 代表芬蘭角逐奧斯卡金像獎最佳外語片
申扬
回复 :不一般的关系，不一般的情感，引发出不一般的故事…… 女警张敏芝（钟淑慧饰）被派往深圳任职，住在罗芳区内。邻居一名老妇人称大嬷，年纪老迈，无依无靠，赵丽薇（关宝慧饰）为疯妇一名，亲儿夭折，被男友弃，患上产后抑郁症，常以枕头或公仔当儿子，爱骂男人为负心汉…… 某日，大嬷的孙儿李浩强（尹扬明饰）归来，但无故常被人追杀，敏芝调查得知美国黑帮杀手黑熊是寻找浩强，怎料黑熊误杀大嬷，丽薇发狂与黑熊纠缠，敏芝赶到现场救得两人，浩强说出因由，原来浩强早前潜往美国当黑市居民，于掌馆当杂务及拳靶，受到唐人街黑帮大少欺压，不慎误杀之，黑帮大佬派黑熊向浩强下江湖格杀令，浩强被迫往返家乡。但黑熊已率领众向浩强展开追杀，众人面临危机……
彭亮
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
