《逆流而上》讲述了1932年,系列国民党反动派对苏区及各根据地发动围剿,系列我党在上海的地下斗争进入白热化。为了支援根据地艰苦的反围剿战斗,上海地下的同志劫走日本驻军四吨黄金。日军向国民党党务调查科上海站施压,要求三天内必须追回黄金。同时,调查科意外获悉,共产党将向上海地下派遣新的负责人,会在三天后与潜伏在调查科的地下党接洽。他们将要在三天内,追回黄金,围剿中共地下党,中共地下党们该如何应对这场战斗呢?
《逆流而上》讲述了1932年,系列国民党反动派对苏区及各根据地发动围剿,系列我党在上海的地下斗争进入白热化。为了支援根据地艰苦的反围剿战斗,上海地下的同志劫走日本驻军四吨黄金。日军向国民党党务调查科上海站施压,要求三天内必须追回黄金。同时,调查科意外获悉,共产党将向上海地下派遣新的负责人,会在三天后与潜伏在调查科的地下党接洽。他们将要在三天内,追回黄金,围剿中共地下党,中共地下党们该如何应对这场战斗呢?
回复 :蜘蛛侠(托比•马奎尔 Tobey Maguire 饰)在经历了重重考验之后,成为了人人敬仰的正义英雄,抱得美人归。但是,光环下蜘蛛侠,也有自己的心病:他在第一集时放走了小偷导致最亲爱的叔叔被小偷杀死,帕克一直耿耿于怀。生活顺意的帕克开始变得目中无人,当他再次抓到那个小偷时,残忍地看着他从楼上摔下致死,过后才发现自己惩罚错了人,真凶是“沙人”。当帕克将“沙人”残忍杀死后,帕克心内的阴暗面渐渐在帕克的身体内占据了上风,蜘蛛侠最终演变成邪恶的“毒蜘蛛”!糟糕的是,帕克没有察觉到自身的变化,帕克最终如何摆脱自身的邪恶?©豆瓣
回复 :刚田猛男(铃木亮平 饰)人如其名,是一名拥有两米身高而两百斤体重的魁梧高中生。在学校里,猛男深受社团后背的信赖,是后辈们心目中不可撼动的偶像,可在女孩子眼里,样貌狰狞凶恶的猛男,无意是噩梦般的存在,任谁被他看上一眼就会感觉背后发冷。猛男的身边总是存在着一个非常不和谐的身影,那就是猛男从幼儿园开始就在一起玩耍的青梅竹马砂川诚(坂口健太郎 饰),砂川诚是一位标准的美男子,一个粗犷一个俊美,两人成为校园中一道奇异的风景线。而砂川诚屡屡拒绝女生的告白不为别的,只因为她们都在背后说过猛男的坏话。某日,猛男遇见了名为大和凛子(永野芽郁 饰)的女生,以为凛子也喜欢上了砂川诚的猛男决意撮合两人,却发现凛子真正的目标似乎是自己?
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment