明天春节了,此心大排档年夜饭打烊后阿旭飞奔到高铁站,此心搭上最后一班车回乡过年。偶遇10年前春运一起回乡的若飞,两人感慨亲身体会十年春运巨变,聊起当年的南方冰雨困在回乡路上发生的故事。被突如其来冰雪困在路上发生各种各样矛盾展开故事剧情,以真实事件下的小人物如何自救,苦中作乐,展现了真情、爱情、友情。
明天春节了,此心大排档年夜饭打烊后阿旭飞奔到高铁站,此心搭上最后一班车回乡过年。偶遇10年前春运一起回乡的若飞,两人感慨亲身体会十年春运巨变,聊起当年的南方冰雨困在回乡路上发生的故事。被突如其来冰雪困在路上发生各种各样矛盾展开故事剧情,以真实事件下的小人物如何自救,苦中作乐,展现了真情、爱情、友情。
回复 :1934年,经济大萧条越来越严重,10岁的女孩Kit(阿比吉尔·布莱斯林 Abigail Breslin 饰)的家庭也遭到连累,父亲前往芝加哥寻找工作,为了维持生计,母亲把房子的空余房间出租,各色各样的住客搬了进来。包括流动图书馆的馆长Miss Bond、健美操小姐Miss Dooley、魔术师、还有Kit的同学Stirling以及他母亲,无业游民Will和弟弟Countee在此打工,做些修补工作以换取食物。Kit的志愿是当一名伟大的新闻记者,当她了解新闻是需要新鲜的题材,便随时挖掘新鲜事件。当地一直发生游民抢劫的恶性案件,这次轮到Kit的好友Ruthie家被抢,继而是Kit家的保险箱而被偷走了,所有的矛头都指向了Will,只有Kit相信他是无辜的。一个偶然的机会下,Kit和她的小伙伴们发现了真凶,并且打算用计谋擒住对方。他们能在感恩节到来之前让生活...
回复 :夜幕下,年过五旬的妓女阿春(田中绢代 饰)在街头游荡,走进一个寺庙后,她回想起自己坎坷悲惨的前半生。年轻时的阿春是一个贵族家里的女佣。她与下等武士胜之介相恋,二人偷情时被发现。阿春连同她父母被驱逐出城,胜之介则被处死。松平大领主为了继承香火,派人四处选妾。貌美的阿春被选中,做了松平领主的妾侍。很快,她产下一子。松平家族欢天喜地,阿春以为自己就此安定下来。可是原配十分嫉妒阿春,于是松平家族以阿春迷惑领主为由,将她遣返回家。为了偿还债务,阿春的父亲把她卖去妓院。一个出手阔绰的客人看中了阿春,要为她赎身。然而此人是个专门造假币的骗子,随即就被抓走,阿春也被妓院赶走。其后阿春经历了种种波折,她最终走投无路,只好沦落街头。贫病交加之际,她得知自己的儿子当上了领主……
回复 :Julien Duvivier最好的作品之一也是他认为自己所有默片中最喜欢的一部。SummaryBullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...ReviewDrawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.