马克斯和里奥跟随母亲露西亚从家乡墨西哥移居到美国。她说他们会过上更好的生活,亚洲她还答应带他们去梦寐以求的迪斯尼乐园。现实的情况却是,亚洲孩子们每天被关在一个破旧狭小的房间里涂鸦,等待精疲力尽的妈妈下班归来。导演根据自身经历改编,描绘了一幅疏离而忧伤的童年画卷,以敏感而审慎的态度,勾勒出多元化社会及移民问题的痛点。
马克斯和里奥跟随母亲露西亚从家乡墨西哥移居到美国。她说他们会过上更好的生活,亚洲她还答应带他们去梦寐以求的迪斯尼乐园。现实的情况却是,亚洲孩子们每天被关在一个破旧狭小的房间里涂鸦,等待精疲力尽的妈妈下班归来。导演根据自身经历改编,描绘了一幅疏离而忧伤的童年画卷,以敏感而审慎的态度,勾勒出多元化社会及移民问题的痛点。
回复 :The story revolves around the clash between Ayyappan, a senior police officer who serves at the Attappadi Police Station and Havildar Koshi, who comes to the village with a motive.
回复 :Apollon is a teenager hung up by the social ideals of masculinity. He fantasizes about having the perfect body - complete with big beefy muscles and a big banana.
回复 :I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.