一个让人难以释怀的鬼故事跨越了两个世界、影视两个世纪。13岁的Tolly发现自己能神奇的在两个世界间自由穿梭后,影视他开始了一段神奇的冒险,即将揭开家族埋藏给后代的秘密
一个让人难以释怀的鬼故事跨越了两个世界、影视两个世纪。13岁的Tolly发现自己能神奇的在两个世界间自由穿梭后,影视他开始了一段神奇的冒险,即将揭开家族埋藏给后代的秘密
回复 :1941年上海,中国抗日战争已经历时四年,随着太平洋战争的爆发,英美加入战局,上海外租界的西方人的生活也经历了巨大的动荡,11岁的Jamie就是其中之一。在逃难的途中,Jamie和父母走失,他遇到美国人贝希和弗兰克,差点被他们卖掉,三人辗转到了闸北集中营。在集中营,J amie明白了战争的残酷,学会了“为了吃饭什么事都能干”的生存哲学,还认识了和他一样喜欢飞机的日本小孩。但是,在他内心深处,一直渴望着和父母团聚的一天。
回复 :唐 积德、小可和彤儿一行三人来 到破败的三岔口,误将不求名 利、一心只为三岔口着想的捕 头盘六当做此地一霸,落入恶 人圈套,和他们联手抓住盘 六,随后发现真相,懊恼之余 与百姓一起奋起对抗恶人,帮 助三岔口度过难关。
回复 :Barefoot roadtrip around Guinea in search of the first film made by a local filmmaker. A charming and cinematic adventure, where the journey and the destination are equally important, and a film about collective memory and porous film reels.Does a film exist if no one has seen it? Guinean film director Thierno Souleymane Diallo goes on a barefoot road trip around his country to find the mythical 1953 film ‘Mouramani’ – the first Guinean film made by a local filmmaker. But it is not easy to find the film or anyone who has seen it for that matter. Some believe it is about the Islamisation of the Mandinka people. Others that it is about the relationship between a dog and its owner. Along the way, Diallo passes old, abandoned cinemas and dusty piles of moisture-damaged film reels. ‘The Cemetery of Cinema’ is a charming, cinematic adventure in which the journey is almost as important as the destination, and where the encounters along the way remind us of the importance of preserving a shared memory and culturel heritage.