影片讲述了因一起未知来电而被无影怨灵索命的恐怖故事。雨夜鬼雾弥漫,阴气深重的宅院中,女作家周琪琪接到一起陌生来电,因好奇心而陷入到一段暗无天日的致命游戏中,各种离奇事件接踵而至,身边的朋友接连惨遭毒害,神秘诡影如影随行,就在周琪琪最恐惧的时刻,凶铃再次响起......
影片讲述了因一起未知来电而被无影怨灵索命的恐怖故事。雨夜鬼雾弥漫,阴气深重的宅院中,女作家周琪琪接到一起陌生来电,因好奇心而陷入到一段暗无天日的致命游戏中,各种离奇事件接踵而至,身边的朋友接连惨遭毒害,神秘诡影如影随行,就在周琪琪最恐惧的时刻,凶铃再次响起......
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
回复 :用詹姆斯·韦伯望远镜拍摄遥远星系,栩栩如生的照片令人浮想联翩。这部纪录片记录了这台望远镜从开发到推出的历史过程。
回复 :本片讲述一个12岁的完美主义女孩发现了一个奇怪的蛋,她把蛋藏起来不让苛刻的母亲看到。而当蛋孵化时,一个像鸟一样的生物出现了。