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申扬
回复 :本片为六十、七十年代红星田丰自导自演，兼为主题曲作词，乃尽情发挥才华之代表作，并由汪萍、宗华、谷峰等著名影星合演。故事描述戴天仇（宗华）自幼随师祖（田丰）习艺，矢志为父报仇；彼时其杀父仇人雷震天（谷峰）虎踞乾坤谷，创立日月帮，到处为非作歹。戴途遇女扮男装的吴小燕（汪萍），却突遭十几名日月帮人毒打。吴知是父亲率人找她回乾坤谷，遂求父允其把戴带返家中养伤；戴得以混入乾坤谷，乘机侦察日月帮的关隘设施……
蔡卓妍
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
佐田雅志
回复 :学美术的允珠（李尚熙）在准备毕业展示时遇到了一名经常引起她注意的人。允珠从对方和自己偶然相撞的眼神中感受到了温暖，渐渐地被对方吸引了。一边打零工一般寻找梦想的智书（柳善英）在某个寒冷的冬日里遇到了用温暖的眼神看着自己的某人。不久后，再次邂逅那个人的智书遵从内心向她伸出了手。
