幼时的方晓楠和程天因为一次意外事件从而人生改写。方晓楠变得处处倒霉懦弱自卑，花色而程天则信心爆棚事事顺利。成年后，花色即将大学毕业的两人意外相遇，成为同一家广告公司的实习生，命运又开始捉弄起这两人。机缘巧合下，公司要求方晓楠和程天共同负责一个艰巨的任务，任务对象竟然是方晓楠之父方磊。方磊得知女儿瞒着自己偷偷实习，十分生气，勒令她辞职准备出国留学。患得患失缺乏勇气的方晓楠不敢违抗父亲，选择离开。但在程天的劝说和帮助下，晓楠知道了破除霉运的方法就是找到勇气和信心。最终，方晓楠勇敢地向父亲证明了自己，也收获了跟程天的甜蜜爱情。
陈松伶
回复 :重案组探员阿琳（麦家琪饰）美貌出众，但却冷若冰霜，原因是亲姊阿佩惨死于变态杀手下的惨剧，仍缠绕在她深心处。有“新午夜屠夫”之称的变态杀手最近四出犯案，令少女人人自危；阿琳虽然认定“新午夜屠夫”跟亲姊阿佩的死有莫大关连，但由于调查手法有违纪律而被勒令停职，无法进一步调查。停职期间，阿琳结识了退出影坛的超级明星Tim，二人情投意合，感情一日千里。正当阿琳沉醉于二人世界之中，却不知已逐步堕进“新午夜屠夫”的陷阱当中……
赵丹
回复 :楚其被熔毁之后八年，玩具公司为打开销路考虑再度推出“好家伙”公仔，他们将当年楚其的残骸回收，再度制作使其复活，获得重生的楚其为了完成灵魂转移，将玩具公司总裁杀死后消失于夜色。安迪（Justin Whalin 饰）经历了八年收养生活，此时来到一所军校就读，当年楚其留给他的恐怖回忆仍然挥之不去，而在学校中应付严苛的助理上校谢尔顿（Travis Fine 饰）亦并不轻松。楚其将自己邮寄到军校以寻找安迪，不料却被小学员二等兵泰勒占为已有，楚其认为自己的身体获得新生，可以摆脱必须占有安迪身体的宿命，随即把自己的秘密告知泰勒，并计划夺走泰勒的肉身。安迪不能坐视同侪受害，再度与楚其展开抗争……
张桑悦
回复 :The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.Part 1 comments on:■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher■"Konkurs" ("Audition," 1963) by Miloš Forman■"Křik" ("The Cry," 1963) by Jaromil Jireš■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří MenzelPart 2 comments on:■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko■"Stud" ("Shame," 1967) by Ladislav Helge■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová■"Pasťák" ("The Decoy," 1968) by Hynek Bočan■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček■"322" ("322," 1969) by Dušan Hanák■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný
