四个不同行业的年轻人在禹城这个富饶美丽的大城市为了各自的事业努力奋斗，寻找坚持不懈，寻找最后终于成就各自事业的励志故事。只身来到禹城做植益酸奶厂的送货司机，认识了送餐员赵大春和在烧烤店的庄帅，几个人在拼闯事业的道路上磕磕碰碰，历经磨难。一次旅游观光，王禹邂逅了漂亮聪慧，在商务宾馆老板帮助下组建旅游团赚取学费的大学生刘丹丹，因为她很少回家照顾身体羸弱的母亲，心脏病突发被王禹无意中救助，从此他经常帮助老人而受到老人的喜欢，在四个年轻人为了爱情，为了事业饱受磨难的时候，刘阿姨伸出援手帮助王禹实现他们的理想，拿到植益经销权。王禹和赵大春事业有成，并抱得美人归。
艾伦帕森斯
回复 :影片以当前金融危机为背景，描述了大学生牛敞亮因失业而对城市生活感到失望，于是重回乡下老家希望恢复农民身份，引起各方面的连锁反应。最后，在党和政府的帮助下，带领乡亲们走上了创业之路，同时收获了一份朴素而纯美的乡村爱情……
郭芯其
回复 :本部影片描述了纯朴的农村青年毛三斤进城投奔亲戚，打算在大都市成就一番事业，却不想被卷入一场家族斗争中，在见识了都市的人情冷暖，明争暗斗后，毛三斤对城里失望至极，最终回归属于自己的生活，并收获了爱情。
周山
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
