剧情简介
心有猛兽描述奥布瑞·普拉札找到一对夫妻经营的小屋计划拍戏写作，日韩聊天过程发现这对夫妻似乎关係不好，妻子开始怀疑丈夫是不是爱上奥布瑞...
日韩中文字幕无
心有猛兽描述奥布瑞·普拉札找到一对夫妻经营的小屋计划拍戏写作，日韩聊天过程发现这对夫妻似乎关係不好，妻子开始怀疑丈夫是不是爱上奥布瑞...
墨明棋妙
回复 :英民（曹政爽 饰）和美英（申敏儿 饰）之间的恋情是那种一见钟情的恋情，从第一次见面开始，两人就已经深深的爱上了彼此，将对方视为自己命中注定的存在。就这样，俊男和靓女之间，展开了为期四年的甜蜜恋爱，随着了解的加深，两人更加坚信，他们的选择是正确的。四年后，美英披上了纯白的婚纱，成为了英民的妻子，然而，剧情就此却急转直下。婚后的甜蜜生活只维持了极为短暂的一段时光，很快，英民和美英就都发现，对方的身上展现出了一些他们见所未见的特质。美英喋喋不休的唠叨简直要让英民的耳朵都起了茧子，而英民对于街头性感美女的火热视线令打翻了美英心中的醋坛子，照这样发展下去，这段婚姻总有一天会濒临破碎的边缘。
翼势力
回复 :Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
程诺
回复 :1946年一个雨夜，小说家莫里斯·本德里克斯（拉尔夫·费恩斯Ralph Fiennes 饰）邂逅身为外交官的故友亨利·梅尔斯（斯蒂芬·瑞 Stephen Rea 饰）。从亨利口中，莫里斯得知对方的妻子莎拉（朱丽安·摩尔 Julianne Moore 饰）似乎正有一段外遇 ，这令他妒火中烧。原来，两年前莫里斯曾和莎拉暗通款曲，两人经常背着亨利共享鱼水之欢。但在一次大轰炸过后，莎拉却从床底上绝然离去。始终耿耿于怀的莫里斯接受了亨利的请求，帮助好友调查莎拉的行踪，然而结果却令他唏嘘不已，感慨良多……本片根据格雷厄姆·格林（Graham Greene）1951年的神秘浪漫主义的自传体小说改编，并荣获2000年英国电影和电视艺术学院奖最佳剧本奖。
