剧情简介
年青的时候，国产死亡总是好像很遥远。初次接触，国产往往是从亲人的离去开始。在里斯本一个炎热的夏天，大卫的外公快将离去，害怕面对将要失去亲人的现实，大卫拒绝探望他，留下他母亲天天在医院陪伴外公。外公离去后，大卫明白到自己将要成为家中的男子汉，但他还未作好长大的准备，更不想担当家中的男丁角色。但是，他的青春期却离他愈来愈远……
国产综合视频
年青的时候，国产死亡总是好像很遥远。初次接触，国产往往是从亲人的离去开始。在里斯本一个炎热的夏天，大卫的外公快将离去，害怕面对将要失去亲人的现实，大卫拒绝探望他，留下他母亲天天在医院陪伴外公。外公离去后，大卫明白到自己将要成为家中的男子汉，但他还未作好长大的准备，更不想担当家中的男丁角色。但是，他的青春期却离他愈来愈远……
韩寒
回复 :加拿大导演马特·比索内特自编自导新片[花花公子之死](Death of a Ladies' Man，暂译)。影片卡司包括安托万-奥利弗·波尼安([妈咪])、加布里埃尔·伯恩。故事围绕一个放荡的爱尔兰诗歌教授萨缪尔·奥谢(加布里埃尔·伯恩饰)展开，当他被确诊为患有脑瘤后，他的婚姻，他的生活将发生翻天覆地的变化。该片即将于今年7月蒙特利尔等地辗转拍摄。
顾莉雅
回复 :理发师陆平（陈坤 饰）凭着自己的好手艺在大上海过着平凡的生活。日军侵占上海之后，一次意外的事故使他不得不远走他乡，自此开始了长达半生的颠沛流离。逃往江南古镇之后，陆平遇到了一位美丽的江南女子宋嘉仪（曾黎 饰），俩人一见钟情，无奈宋嘉仪婚约在先，其父宋丰年也想借女儿在那个特殊的年代里有个依靠，将宋嘉仪嫁给了国民党军官叶江天，嫁为人妇的宋嘉仪从未停止对陆平的爱恋，而陆平在颠沛流离的大半生除了自己的手艺始终没有放下的还有这份感情。一生情缘，半世坎坷，乱世之中这对有情人如歌如泣般演绎着他们的人生与爱恋……本片根据凡一平同名小说改编，是导演陈逸飞生前最后一部作品。
给力小子
回复 :Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
