★ 2020开年恐怖作品，荒岛求生却遇到恐怖魔物★ 到无人岛潜能开发的屁孩青年，原来早有神秘生物盯著他看，他要如何逃离这恐怖难测的小岛？★ 暗夜中不知名的双眼在寻找猎物，是外星生物还是恶魔缠身，让你心跳加速，头皮发麻，欢迎来试胆托比（罗根米勒 饰）就是个沉迷手机游戏的屁孩，一晚，他不愿与父亲一起到家门外修车，让父亲被抢匪伤害身亡，让他极度自责而陷入恐慌，在老师建议下，与一群青年赴马来西亚海域的小岛进行自我训练，一座岛只有一个学员可以下船，在岛中只有靠自己进行野外求生，希望能藉由课程走出丧父阴影。一向视手机如命的托比果然对野外适应不良，一下船就失去所有求生工具，但他意外在岛上遇到神秘的美少女玛德琳（克丽斯汀弗洛塞斯 饰）。从小在岛上长大的玛德琳教他求生知识，但也警告他到了晚上千万不要在岛上乱闯，因为她的妈妈很可怕...。托比在岛上失去音讯，课程教练前往岛上找他，却被一股神秘力量拖入森林，托比突然见到教练的尸体，知道这岛上确实有奇怪的力量，让他想要带著玛德琳逃走，却让自己陷入更危险的境地....
郭小霖
回复 :何督察是扫毒组的女探员，为人英勇，负责追查龙四集团的犯罪证据。在龙四寿宴上，一日本女子乔装侍应大开杀戒，欲杀龙四。龙四义子丁少爷的未婚妻Jessica原来是美国中央情报局派来的卧底，也要搜集龙四的犯罪证据。龙四发现她的身份后派人追杀她，幸好她已有足够证据起诉龙四。另探员牛孖筋的朋友一个当杀手的，联合起来对付龙四，Jessica和日本女子不幸被杀，警方顺利剿灭龙四。
陈占美
回复 :很久以前，野生动物的王国艾力玛山腹地被一群亡命徒占据。到了20世纪初，以狼王乔勒为首的狼群向在人类发起攻击。无助的村民请来神枪手断魂张。断魂张利用乔勒的三只幼仔大败狼群。断魂张的女儿果果放了三只小狼。平安的一年过去了，正离开的断魂张父女遭到幸存的乔勒和已是壮狼的三只小狼的袭击，断魂张被咬死。果果为报仇找来猎手花面狼。心绪复杂的果果打死了不躲不闪的三只壮狼。花面狼也与乔勒同归于尽。果果不久后自尽。
秦沛
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
