考古学家意外得知慈禧太后陪葬的宝物信息，深漂为防止落入贩卖文物的盗贼手中，深漂考古学家决定命自己的徒弟及身怀绝技的其他两人组成五人寻宝小队，暗中寻找宝藏下落。 五人背负使命，根据师傅提供的信息游走穿梭于大街小巷不停调查宝藏的秘密。五人调查的同时被贩卖文物的团伙盯上，几人面临被追杀的危险，一边躲藏一边寻找宝物。无人根据蛛丝马迹从香港到了泰国，得益于小米在泰国的英勇献身，五人在一位雕刻家的手里得到了至关重要的信息，随后来到了慈禧陵墓的入口。在陵墓入口到棺椁一路过关斩将，化解了重重危机，最终取下宝藏时，陵墓内突然惊现十八铜人，五人究竟能否顺利脱险离开陵墓
吉娃斯杜岚
回复 :名年仅16岁的少女非常厌倦学校和家庭的生活，选择了离家出走。她认识了宇和岛上的痴汉，又遇见了一个流动艺术团，还一度加入了他们的行列。只是不久以后，她又一个人上路了。少女不小心摔倒在路边，一个以卖鱼为生的中年男子木村把她带到自己家中，并很细心地照顾她，直到她安全康复。少女渐渐对木村产生了情意。由于参与赌博木村被警察拘捕，被放回的晚上少女亲了她。拿不定主意的少女哭泣着往家走去，却在路上听说邻居的姑娘加代已经自杀而死。对此少女并不觉得多么意外，她想如果自己没有出走也可能如此。她又回到木村家中，二人紧紧拥抱开始亲热，均有一种莫名的安全感。随后少女与木村结为夫妻做贩鱼的生意。在给妈妈的信中少女这样写道：“我很满足自己现在的生活，我认为这是我理想的生活方式。”描写少女出走的影片司空见惯，途中的所见所闻也缺乏特别能吸引人的东西，少女对中年男人的主动诱惑也不那么令人信服，可能会给观众一种观念先行的感觉。但导演斋藤耕一作为松竹公司贯彻青春剧目路线的代表者，倒是在本片中坚持了一贯的制作方式，同时也具有一定的现实意义。本处曾获1972年《电影旬报》十佳奖第四名，导演斋藤耕一还获得了每日电影竞赛导演奖。
李凯年
回复 :北京少年冰球队“火烈鸟”队在一场友谊赛中以大比分输给“智途”队。从中暴露出很多问题。陈皓带领球队前往北方的呼伦贝尔，与张猛指导的“明日之星”少年冰球队联合训练。子豪不愿和草原的少年一起训练，一个人离开球队回家。 俱乐部经理韩雪查房发现子豪不见了，急忙和两位教练带着几个球员去找。 终于在雪中的白桦林里找到了子豪，在回来的路上突然遇到了孤狼。 草原球员冲到北京球员前面，和狼对峙......
朱珠
回复 :"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
