每一个死者都会经历一次往生刑。每个人的刑责都不一样，产亚目的是为了斩断你对尘世的依恋。他从来不信这种说法，产亚直到那一天。江县医院青年医生罗平坠楼身亡的新闻被女留学生——何晴看到了。她立马乘飞机赶回国内，在罗平火化前和他见上了最后一面。然而罗平的灵魂还没有离开，却记不起两人之间究竟发生过什么。何晴笃定地认为罗平不可能自杀，她以罗平未婚妻的身份，开始抽丝剥茧地寻求罗平坠楼的真相。罗平的魂魄跟随着何晴的脚步，逐渐拨开迷雾……
好朋友乐团
回复 :赌场上突然出现一位精通五行术数、赌技如神、大揭赌场出千丑行的面具美少女，令黑白两道人物对其又恨又怕……有人谣传此女为众黑道人物劲敌良大田之女良苏萍，于是第二日良大田身中数枪死于荒野，而苏萍也受害入狱受审，短短数日内，黑道人物纷纷被杀……同时出现了更多的面具少女……
李永昌
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
浩瀚
回复 :抗战期间青楼老鸨金妈妈带领手下的姑娘积极抗日，正应了那句话“国家兴亡匹夫有责”
