爱普尔（米密·罗杰斯 Mimi Rogers 饰）和西恩（安德鲁·爱尔莱 Andrew Airlie 饰）是感情非常要好的两兄妹，欧美生活在一个平静而幸福的家庭之中。一天，欧美一场可怕的龙卷风袭击了兄妹两所在的城市，他们不得不面对眼睁睁的看着双亲被龙卷风吞噬这一悲惨的命运。一晃眼18年过去了，爱普尔和西恩都已经长大成人，面对过去的伤痛，他们选择了两条截然不同的道路。爱普尔成为了一名龙卷风研究者，希望能够更加透彻的了解这个食人的怪物，而西恩则去往了西雅图生活，因为那是一个被龙卷风袭击的概率非常非常低的城市。一次偶然中，爱普尔发现天气情况异常，一场可怕的风暴灾难即将发生在西雅图。
猪头皮
回复 :约翰尼（基努·李维斯 Keanu Reeves 饰）是一名FBI探员，正在与老搭档帕帕斯（加里·布塞 Gary Busey 饰）着手调查一系列银行抢劫案。然而这个狡猾的犯罪团伙行事严谨精明，每次犯案均用多位前任总统的面具伪装自己。约翰尼手上唯一的线索只是帕帕斯的推理：罪犯很可能是冲浪爱好者。为了尽快侦破此案，约翰尼决定到海滩学习冲浪以寻找线索，在此过程中，约翰尼结识了冲浪高手普提（帕特里克·斯威兹 Patrick Swayze 饰）和泰勒（罗莉·佩蒂 Lori Petty 饰），他被普提的思想魅力和领袖气息所吸引，爱上了冲浪这项刺激的运动，并与一帮冲浪爱好者结下深厚友谊。然而，在种种相处的细节之中，约翰尼渐渐开始怀疑这帮优秀的朋友就是他要找的神秘团伙……
爱戴
回复 :一个执法者不得不牺牲一切来拯救一个年轻的女孩，这个女孩是他从他的女老板那里结识的，她参与了网络性交易。
黄英
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
