剧情简介
在一个充满了失业者的城市，黄埔人们的生活，黄埔遭遇就像无数平凡的，偶然的，细小的无数分散开的粒子。对于泽伊内普来说，小女儿和老母亲就是她生活的全部……
黄埔滩头粤语
在一个充满了失业者的城市，黄埔人们的生活，黄埔遭遇就像无数平凡的，偶然的，细小的无数分散开的粒子。对于泽伊内普来说，小女儿和老母亲就是她生活的全部……
吴婉芳
回复 :农村青年小五打工回来，本想娶了老婆热炕头，没想到被迫卷入千门赌局，落魄潦倒尊严丧尽，连心爱的镇花也被人抢去。无意间得知自己是赌界第一反赌门派“天眼门”的香火仅存，顿感天降大任于斯人也，于是接过“天眼门”的反赌大旗，匡扶正义，他不断地精进赌技，与西河县赌王赵之初对决。虽然战胜并且封印了赵之初，但其反赌门派天眼门千年转世传人的身份也同时传遍了整个世界，变成了赌界的天下公敌。
白雪
回复 :该片改编自脱北女性的真实故事，讲述的是抛开家人，逃往韩国的母亲与憎恨自己的儿子在16年后重逢的故事。
张德兰
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
