剧情简介
总是看着醉醺醺的老公，秋野千寻过着孤独的生活的尚熙..只能看着视频里的主人公民基来自慰，秋野千寻有一天，尚熙偶然地找了朋友美妍介绍的男人刘易斯，尚熙的生活从此变得天翻地覆，看着尚熙举止怪异，总是说些奇怪的话，丈夫东锡开始担心尚熙，而尚熙却沉浸在一场场刺激感官的春梦里...
秋野千寻视频
总是看着醉醺醺的老公，秋野千寻过着孤独的生活的尚熙..只能看着视频里的主人公民基来自慰，秋野千寻有一天，尚熙偶然地找了朋友美妍介绍的男人刘易斯，尚熙的生活从此变得天翻地覆，看着尚熙举止怪异，总是说些奇怪的话，丈夫东锡开始担心尚熙，而尚熙却沉浸在一场场刺激感官的春梦里...
晓华
回复 :纳德（佩曼•莫阿迪 Peyman Moadi 饰）与西敏（蕾拉•哈塔米 Leila Hatami 饰）是一对夫妻，他们的女儿叫特梅（萨日娜•法哈蒂 Sarina Farhadi 饰）。西敏希望一家三口移居国外，但是纳德坚决反对，原因是纳德的父亲患有老年痴呆症需要照顾。两人为此对薄公堂，准备离婚，但是法院驳回了她的请求。西敏赌气回了娘家。西敏走后，纳德分身乏术，聘请了一位护工瑞茨（萨瑞•巴亚特 Sareh Bayat 饰）照顾父亲。但是，父亲如厕问题始终困扰瑞茨，依《古兰经》教义，她感到禁忌重重。瑞茨的女儿陪伴在她左右，也令她分神。几个回合下来，纳德某次回家发现，父亲被绑在床上，出离愤怒的他推倒了瑞茨。没想到怀孕的瑞茨竟然流产，瑞茨丈夫怒不可遏将纳德告上了法庭，他们各执一词，然而真相却出人意料……本片在61届柏林电影节获金熊奖、最佳女演员和最佳男演员银熊奖。
小高
回复 :方进伟玩世不恭，父母相继过去后，性格更加叛逆，王凡与父亲王乐观、母亲沈萍珊一家三口虽生活清贫，但其乐融融，一天，亲情杂志社记者突然来访，告知两人20年前被人调包
云美鑫
回复 :This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time.“The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez
