莎曼莎是保全公司的菜鸟,日本上班后的第一项任务是和前辈护送运钞车到指定地点,日本没想到前辈们早已心怀鬼胎,他们预谋抢夺运钞车,不料被黑帮得知情报,于是双方展开火拼!对抢案毫无所知的莎曼莎,中途被前辈下药昏迷,没想到醒来之后,凑巧碰到警察和黑帮交火,这不是正义和罪恶之战。导演马林德恰纳一向擅于描绘一个被误解的人内心状态和对外反应,在本片中,身处枪林弹雨的莎曼莎,却是最后一个存活下来的人,她是同伙、还是事件幕后的策划者?
莎曼莎是保全公司的菜鸟,日本上班后的第一项任务是和前辈护送运钞车到指定地点,日本没想到前辈们早已心怀鬼胎,他们预谋抢夺运钞车,不料被黑帮得知情报,于是双方展开火拼!对抢案毫无所知的莎曼莎,中途被前辈下药昏迷,没想到醒来之后,凑巧碰到警察和黑帮交火,这不是正义和罪恶之战。导演马林德恰纳一向擅于描绘一个被误解的人内心状态和对外反应,在本片中,身处枪林弹雨的莎曼莎,却是最后一个存活下来的人,她是同伙、还是事件幕后的策划者?
回复 :高中男孩斯科特·诺里斯(卢卡斯·提尔 Lucas Till 饰)英俊帅气,爽朗风趣,作为校足球队的球员他在赛场上叱咤风云,生活中又有美丽开朗的女孩朱尔丝(莎拉·伯格 Sarah Bolger 饰)陪伴,可谓春风得意,除了不久前受伤的膝盖让他有些烦恼。在聚光灯下的斯科特, 自然不会注意到暗处有一双眼睛始终凝望着他。那个女孩名叫贝丝(克里斯塔尔·里德 Crystal Reed 饰),性格有些阴郁的她深深迷恋斯科特,长期的情感压抑令贝丝的内心饱受折磨。笨拙怪异的表白根本得不到心上人的热烈回应,一切皆化作徒劳。迷恋与被迷恋,跟踪与被跟踪,狂野破碎的青春,一切朝向失控的彼方……
回复 :约翰刚出狱,即与一名开葬仪社的老朋友见面。那人告诉约翰,你父亲留了一大笔钱在雷弗特角等他。没想到该地正为一群怪物所困扰,并准备除掉怪物,约翰加入了打击魔鬼的阵营中,无暇去管那笔钱了。
回复 :After unhitching her camper at a lakeside in the mountains, Faye finds her rhythm cooking meals, retrieving crawfish from a trap, and scanning her old box radio for a station. She looks expectantly at the approach of a car or the mailman, explaining to neighboring campers that she’s waiting for a childhood sweetheart she hasn’t seen in decades. When he does arrive, Lito and Faye, both widowed, spend an evening reminiscing about their lives, losses, and loneliness.A whimsical romance, Max Walker-Silverman’s captivating debut feature shows an "American West" full of quietude, compassion, and introspection. It’s both naturalistic and vaguely surreal, blurring our sense of time and beauty, loss and vivacity, the grandiose natural world and intimate humanism. Career performances from Dale Dickey and Wes Studi bring an inescapable presence to people we don’t often see portrayed on film. They are gentle outliers possessed of resilience and existential spirit, seeking to process something elusive: a feeling of love for what’s no longer there. Like Faye turning her radio dial, they listen hopefully for the faint trace of a song.