本次的特别篇将作为这季的大结局，大黎以福冈和韩国釜山这两个跨越国境的城市为舞台，大黎讲述松重丰饰演的主人公井之头五郎忙碌的年末两天（12月30日和31日）的工作。这次，五郎将在出差地遇到的嘉宾演员已经决定下来了。安藤樱饰演成田机场附近食堂老板的女儿，宇梶刚士饰演今年最后一位商谈对象，美术馆员工高桥，在福冈商谈结束后五郎飞奔进一家居酒屋，六平直政饰演这间居酒屋的老板。今年也一直忙碌到年底的五郎，除夕夜本应在出差地福冈悠闲地度过。但由于商谈顾客的原因，日程提前了一天。更糟的是，五郎不得不在除夕夜乘坐高速船前往韩国釜山去处理麻烦。但无论遇到什么紧急情况，叔都会饿。即便是在忙碌中也不忘品尝美食的五郎，在福冈、釜山的街道上，会邂逅什么样的当地美食呢？在顺利解决问题后能否好好享受年末“最后一道菜”呢？
廖文慈
回复 :本片 荣获第四届深圳青年影像节纪录片类 最佳创意奖 ，香港中文大学、 第二届中国民族博物馆 永久收藏奖 。有意想观看的，可联系版权方微信：1714371600《加一》颠覆大众对留守儿童的固定思维，以独特的视角呈现最真实的留守儿童生活。加一是一名留守儿童，父母常年在外打工，每次短暂的相聚都会牵动加一幼小 的心灵：长途 跋涉和爷爷去看望在外打工的父母，离别时躺在爸爸腿上静静落泪；春节过后妈妈提前出去打工，没有说再见是因为偷偷躲在被 窝里泣不成声。然而父母离开后生活依然要继续，忍受过难尝的别离滋味后，依然要忘掉烦恼，快乐地和同学玩耍，淘气地逗哭弟弟后又像大人一样哄着他。每天和弟弟徘徊在哭与笑之间，就这样在痛与乐中成长着。留守儿童并不是“苦逼”的代名词，他们有他们的快乐，有他们的纯真，他们也确实要忍受不一样的孤独和无奈。大时代下的小人物，他们的生存状态是这个时代的特殊印迹。The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them; lying on her father’s leg and crying silently is her way of resisting saying goodbye; Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.“Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.
舒克
回复 :警察费舍尔（Michael Elphick 饰）避居开罗多年，最近被召回欧洲，参与一起连锁彩票杀人案的侦破。费舍尔拜会了恩师奥斯本，老人被警队开除后状况不佳，心血之作《犯罪元素》未受重视，而当年的同事克拉玛摇身一变成为警察局长。卖彩票姑娘的尸体在矿井中被发现，是连锁杀人案的最新受害者，费舍尔从奥斯本处得到嫌疑人格雷的零碎信息，按照《犯罪元素》提出的理论，费舍尔将自己想象成格雷，按照对方三年前的路线前进以求获得线索。费舍尔在路线上的妓院结识了一位东方女子金，自此被对方跟随。费舍尔逐渐迷失在混乱的欧洲，而金和格雷的关系也出乎他的意料。本片是导演Lars von Trier的长片处女作，获1984年戛纳电影节技术奖等多项褒奖。
郑楠
回复 : 老马因痛失儿子，对盗猎贼心怀仇恨，一度陷入了复仇的阴暗情绪之中，却逐渐被小谷的热诚和善良打动，最终重拾了希望。而盗猎贼则与老马截然相反，为一己私欲夺取无辜的生命，并为了复仇而一意孤行，最终以悲惨的结局收场。
