一部反映美国校园暴力的神密恐怖惊险片，亚洲由凯文．雷诺兹执导，亚洲塞缪尔．L．杰克逊在剧中扮演了一位神密、阴郁、难以捉磨的老师。187是美国刑法中凶杀案的代号。老师加菲尔德不论他在那里，都有着凶杀案陪同着他。在警察多次调查之后，发现这一切都是他做的。故事开头都在反映着校园的暴力，黑帮成员的学生在凌辱老师，后来老师加菲尔德制造了很多校园惨案。整个影片真实反映了美国教育机制的黑暗面，也展示了美国校园暴力根源，使人深思。
小月
回复 :实验三中学校是一所私立学校，来自全国各个地方的学生在此求学，暑假里一批学渣被安排补课，代课老师却没人愿意担任，在“山寨”训导主任的带领下，各怀秘密的社会各界人士被招聘，做起了他们的代课老师，于是奇葩横行闹剧不断，同学们也在欢声笑语的暑假里明白了许多做人做事的道理。
曼迪摩尔
回复 :Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
钟嘉欣
回复 :瑞内是一位和自己12岁儿子住在一起的单身母亲，瑞内最大的恐惧就是蜘蛛。母子俩不知道的是，他们的一举一动都被偷偷的监视着。一天瑞内的车突然坏了下车检查时被一帮人粗暴的绑架而去。24小时后，瑞内发现自己被带到了实验室里，这里充斥着瑞内最害怕的蜘蛛。绑架瑞内的人告诉她，她特殊的基因可以激发她身体里的变异潜能并将这种异能完全的挥发出来。而唯一能够激发这种潜能的方法就是要忍受自己心里最可怕的恐惧。
