剧情简介
惊天A listless young man, upon learning he is ill, leaves his job, girlfriend and city behind, and ventures alone into the British Columbia interior, bringing his fears and anxieties with him.
惊天骇地
惊天A listless young man, upon learning he is ill, leaves his job, girlfriend and city behind, and ventures alone into the British Columbia interior, bringing his fears and anxieties with him.
小迪
回复 :小风是一个安静的喜爱绘画的青年，每天都背着画板在城市各处流连。有一天，失踪了1年的恋人小绿突然回到了他的身边。小风又开始了跟小绿甜蜜的生活，然而小风的哥哥并不同意他跟小绿在一起。画廊老板LINA姐也劝小风跟她一起出国。小风坚持要与小绿在一起，最终跟哥哥发生了剧烈冲突，小风晕倒在地，再醒来却发现小绿和哥哥都不见了踪影。小风冲出门寻找，却在家旁边的巷子抓到一个带头盔的人，掀开面罩，那人竟然和自己长的一模一样，后面的发展越发离奇……
张虎
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
龚诗嘉
回复 :针对舞剧院导演徐林（王志华 饰）被自家狼犬咬死的蹊跷事件，警官滕丽（宋茹惠 饰）进入案件调查。调查发现，徐妻欧阳冶芳（李晓佳 饰）与丈夫的夫妻关系名存实亡，而台商覃丞中（黄达亮 饰）对欧阳颇有好感。徐与剧院女演员华媛媛（徐路 饰）关系暧昧，深爱着华的贺子明（任泉 饰）对徐心生恨意。同父异母的弟弟徐凯（高曙光 饰）对哥哥的死不以为然，其妻刘天红（周军 饰）则对大伯哥的突然死亡悲恸不已。由于汽车被人做了手脚，老刑警李若冰（张启德 饰）与滕丽办案途中险遭不测。怀疑的视线转向徐凯，警方在将其拘捕后因证据不足又将他释放。通过再次对徐家进行物证搜查，终于获取了有效证据，此时的徐凯惶惶不可终日，决定三十六计走为上......
