恐吓Sam, receives a call from Emily a nearly blind woman who is running from her murderous ex in the woods. She must survive the ordeal with Sam being her eyes using video call.
恐吓Sam, receives a call from Emily a nearly blind woman who is running from her murderous ex in the woods. She must survive the ordeal with Sam being her eyes using video call.
回复 :Sam, receives a call from Emily a nearly blind woman who is running from her murderous ex in the woods. She must survive the ordeal with Sam being her eyes using video call.
回复 :城市青年马小兵一心想把母亲的坟迁来跟父亲的坟合葬在一起,这样父母就可以在另一个世界里团聚。但是在一个城市化进程迅速的地方,受父母生前的家族宿怨的影响,马小兵的心愿变得难以实现,最终在各方激烈冲突中,马小兵对亲情和爱情意义的追寻,在一个严重的结局中得到了答案,并得以解脱。
回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.