福特（马丁·亨德森MartinHenderson饰）是一名赛车手，宅男曾经，宅男他效力于凶残而又狠毒的毒贩亨利（马特·斯查尔兹MattSchulze饰），如今，重返家乡的他只希望能够和女友夏恩（莫奈特·玛佐MonetMazur饰）一起过上平静的生活。然而，亨利显然并不愿意放过福特，在各种威逼利诱福特重新回到他的身边无果之后，亨利将一桩杀人案栽赃到了福特的头上，而死者不是别人，正是飞车党老大泰瑞（艾斯·库珀IceCube饰）的弟弟，于是，泰瑞开始了对于福特锲而不舍的追杀，与此同时，联邦调查局亦因此而对福特展开了追踪调查，在如此危机的情况之下，腹背受敌的福特能否证明自己的清白？
谢宏
回复 :桑德拉．布洛克凭《生死时速》成名之前主演的浪漫冒险片，有一个“拯救雨林"的环保主题，也有一个俊男美女的激情故事和曲折的谋杀案剧情，可惜加在一起并未能产生娱乐性相乘的效果。克雷格．谢菲尔饰演的摄影记者欧布莱对于发生在亚马逊森林的环境专家被杀案产生怀疑，决定深入调查真相，过程中跟曾为专家工作的女活动家艾莉莎罗德曼产生火热爱情，而真凶则不断滥杀无辜意图灭口。
红白梅
回复 :在太平洋范围内，一批探测员乘坐轮船打算去海洋深处探测，正在他们进行任务对接时，船上人员监测到深海附近有不明障碍物靠近，他们紧急联系入海人员，但最终发生了惨剧，海底监测人员被鲨鱼所食。六个月后，在墨西哥靠近太平洋的海岸港口附近，鲨鱼又出现了，人们并不知情。一个爱好潜水的年轻人在海水中发现了一枚鲨鱼的牙齿。这枚牙齿引起了年轻人的兴趣，他开始寻找相关的资料。而鲨鱼真的会再次出现在墨西哥的港口吗？人们的生命将会受到威胁吗？
马小郡
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
