真实无滤镜,欧美走进澳大利亚女子橄榄球联盟球员及拳击手泰拉·哈里斯的生活,跟随她面对来自公众和个人的挑战,并借助平台发挥善良能量。
真实无滤镜,欧美走进澳大利亚女子橄榄球联盟球员及拳击手泰拉·哈里斯的生活,跟随她面对来自公众和个人的挑战,并借助平台发挥善良能量。
回复 :墨西哥城高檔酒店內,年輕女傭自有心事。日復一日的漫長工作,總有打掃不盡的房間。她長途跋涉上班,無法照料年幼兒子,卻要幫客人看顧小孩。參加進修班,望能晉升到尊貴樓層。偶然拾獲紅裙,盼失物無人認領可據為己有。抹窗工人隔窗傳情,她其實更需要找到女性自我的聲音。來自劇場的阿維萊絲首拍長片即備受注目,以紀實眼光看打工女的生活與生存,發掘角色沉靜外表下的豐富情感,暗暗接通戴丹兄弟和艾方素卡朗的《羅馬》(2018)。
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回复 :This is a brilliant surrealistic film.But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities.The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art.Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war.And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too.So, the art falls apart