欧美在线视频观看
地区:欧美
  类型:感人
  时间:2025-04-25 02:10:36
剧情简介

欧美Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

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明星主演
刘尊
李茂山
清醒乐队
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薄荷叶

发表于8分钟前

回复 :「锦衣卫」为明皇帝直接管轄之特务机关,负責巡察緝捕乱黨。時英宗昏庸无能,大权落入宦官王振(刘永)之手,他操纵锦衣卫,利用它诛杀异己,残害忠良;然锦衣卫统领赵不凡(梁家仁),却是一心保国卫民的忠臣,在连续几次暗杀行动中,义释忠良。在王振的威胁下,身为锦衣卫总管的赵父无奈被迫追杀亲儿子…


牛嘉

发表于6分钟前

回复 :30年代初,陕北高原上发生了这么一桩故事……堰上的田间小道上,跑来一个农村姑娘张香女,连哭带喊地叫他哥哥张铁娃,说地主恶霸姚德元正在逼租,拷打父亲。铁娃一听,气愤地扔下镰刀,一气跑回村里,要跟姚德元拼命。三年之后,张铁娃已经是红军中一名初级指挥员。根据当时的革命形势,党派他回到家乡,组织群众闹革命,开展游击战争。铁娃带着排里的一个战友高飞虎一同回家乡,途经红河渡口与“衣锦荣归”的姚德元共乘一舟仇人相见,分外眼红,在一场众寡悬殊的格斗中,幸被船夫刘大伯相救,才得脱险。姚德元这时升了民团司令,立即逮捕了铁娃的母亲和妹妹,并由姚德元的岳父孙半原、内弟孙百岁在马王庙内处决他们,铁娃和飞虎在群众的掩护下藏在庙内,杀死了孙半原,救出母亲、妹妹和刘大伯,并乘胜分了地主的家财,迅速组成了一支游击队。游击队驻扎深山丛林中坚持斗争,飞虎则化装成民团团员,香女假扮少妇,经...


李晶

发表于5分钟前

回复 :学者(弗兰克·芬莱 Frank Finlay 饰)娶了一个和自己年龄相差甚大的美艳妻子(斯蒂芬尼娅·桑德雷莉 Stefania Sandrelli 饰),因为担心自己无法满足年轻的妻子,学者感到十分的困扰。长久以来,学者有着记日记的习惯,在日记里,学者详细记录了自己和妻子共享鱼水之欢的过程,甚至意淫起了妻子与女婿的奸情,从中获得嫉妒带来的快感。很快,学者的日记被妻子发现,在羞愧和愤怒中,妻子决定用实际行动来报复丈夫的愚蠢。于是,一个家庭里,两个人,两本日记,记载了人性里的欲望和黑暗。然而,事情并没有就此结束,在欲望的漩涡里越陷越深的学者竟然开始积极的撮合起了妻子和女婿,不仅将妻子大方的献给女婿,并且为两人的私会制造各种时机。


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