马玉芬
发表于3分钟前
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:都市职场精英女强人陈可儿,大学毕业便与相恋四年的莫然步入婚姻的殿堂,年仅32岁便成为跨国公司首席CEO,事业、爱情双得意。唯一不如意的恐怕就是被家长强迫生孩子吧!机缘巧合之下秘书Gina的推荐使得陈可儿下载了一款最近十分流行的养娃软件,可是陈可儿下载的这款软件却格外与众不同!别人的猫儿子可爱听话乖乖的呆在手机里!可她的猫儿子却是活生生的真儿子!刚刚下载完软件就有一个5、6岁的小男孩儿敲门,一向强势的陈可儿看着面前的这个小男孩儿竟有些不知所措起来。准备等莫然回来商量个对策,却不想莫然也领了一个5、6岁的女孩儿回来,这可愁坏了一心要做丁克的陈可儿,伴随着孩子带来的种种麻烦陈可儿将如何应对。
河琳
发表于6分钟前
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:Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.