这是一个热得不能再热的夏天。科幻协会的7位好朋友:树房河本(瑛太饰)、树房曾我(与座嘉秋饰)、遙(上野樹里饰)等人逗留在学校里玩耍。某日,他们在房间的一角突然发现了一个凭空冒出的时光机!心绪激荡的众人开始讨论起他们的时光之旅,他们一致决定要回到昨天拿回不小心弄坏的空调遥控器——这天气,没空调可不好活啊。穿越时空的人并不是游刃有余的,肆意更改过去可能会引起不良后果,“严重的话,一切都会消失。”研究员穗积(佐々木蔵之介饰)下出如此判断。大家开始恐慌起来,为了一个小小的遥控器,他们竟会因此消失吗?
这是一个热得不能再热的夏天。科幻协会的7位好朋友:树房河本(瑛太饰)、树房曾我(与座嘉秋饰)、遙(上野樹里饰)等人逗留在学校里玩耍。某日,他们在房间的一角突然发现了一个凭空冒出的时光机!心绪激荡的众人开始讨论起他们的时光之旅,他们一致决定要回到昨天拿回不小心弄坏的空调遥控器——这天气,没空调可不好活啊。穿越时空的人并不是游刃有余的,肆意更改过去可能会引起不良后果,“严重的话,一切都会消失。”研究员穗积(佐々木蔵之介饰)下出如此判断。大家开始恐慌起来,为了一个小小的遥控器,他们竟会因此消失吗?
回复 :万历三十七年舒尔哈齐长子阿尔通阿被伯父努尔哈赤下令诛杀,阿尔通阿贝勒带着未婚妻冲出重围,未婚妻却被追兵所杀,临死前将龙眼石交给阿尔通阿,身负重伤的阿尔通阿带着龙眼石逃到江南沦为乞丐,在山洞疗伤期间山洞坍塌,被封的山洞中空气里含有大量氯丙嗪以致阿通昏睡四百年,四百年后今天的人们炸山开矿惊醒了沉睡四百年的阿尔通阿,阿尔通阿在矿场遇到了跟自己未婚妻长的一模一样的矿场老板陈清华,陈清华因喜欢龙眼石便将他和龙眼石一起带回家。竞争公司的老板吴良得知陈清华得到一颗不凡的宝石遂派手下盗取龙眼石,岂料刚刚得到龙眼石的吴良就暴病身亡,其子吴发发接管蓝重公司,吴发发认为吴良的死跟龙眼石有关,便带着父亲的结拜兄弟孙龙
回复 :作为一个电影公司的制片人,Griffin Mill(蒂姆·罗宾斯 Tim Robbins 饰)每天要从无数的剧本里面挑选极少的几部拍成电影。他最近的日子不太好过,先是Larry Levy(彼得·盖勒 Peter Gallagher饰)和他竞争日益激烈,然后又是不断收到匿名的恐吓信,让他忐忑不安。他怀疑是某个被他拒绝了的编剧所为。他把怀疑集中到一个叫David Kahane的编剧身上,于是他在电影院找到David并和他一起来到酒吧。后来两人竟争吵起来,在停车场甚至发展成打斗。在打斗中,David不慎摔下下水道身亡,Griffin只能将其伪装成是被抢劫身亡的样子。作为最后一个见到David的人,Griffin成了警方的嫌疑人,更让他恐惧的是,他还是收到匿名的恐吓信,甚至在他的车上发现了一条蛇......接下来,Griffin该怎么玩这个游戏?
回复 :"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum