剧情简介
阿民与阿Ling是一对恋人，男人确总是貌合神离，男人这种恋爱方式比分手更加痛苦，被爱人抛弃的阿丽是阿民的朋友，在一个情人节的夜晚，两人共同度过了4个小时的情人节；2、阿俊自从与小美分手后，一直过着颓废的生活，直到有一天一个偷别人钱的小女孩闯入了她的生活…
男人区午夜色福利
阿民与阿Ling是一对恋人，男人确总是貌合神离，男人这种恋爱方式比分手更加痛苦，被爱人抛弃的阿丽是阿民的朋友，在一个情人节的夜晚，两人共同度过了4个小时的情人节；2、阿俊自从与小美分手后，一直过着颓废的生活，直到有一天一个偷别人钱的小女孩闯入了她的生活…
高远
回复 :简•奥斯汀（安妮·海瑟薇 Anne Hathaway 饰）的一生是否如她的文字那样充满曲折的过程和完满的结局？《成为简》用传记方式描述她的一生：她的母亲竭力为她撮合婚事，对象是上层社会的有钱人。但是简不接受没有爱情的婚姻，认为女人要靠自己的能力去养活自身。于是，她拒绝贵族瓦斯莱先生的求婚，爱上了心灵相通的汤姆•勒弗罗伊（詹姆斯·麦卡沃伊 James McAvoy 饰）。好事多磨，有人从中作梗，导致汤姆家人并不赞成二人婚事，汤姆决定携简私奔。但是这样一来，汤姆的经济来源就会被切断，简亦将面临着世俗的压力和贫困的生活。到底二人在私奔路上会走得多远？会不会有美满的结局？
李璨琛
回复 :The intimate, final performance of Bruce Springsteen's 236-show run at Jujamcyn's Walter Kerr Theatre on Broadway.
罗敏庄
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
