两年前，破茧加贺恭一郎（阿部寛 饰）尚为练马警署的一名刑警。适值此时，破茧他的父亲（山崎努 饰）病重住院，加贺却从未探望，父子间的隔膜难以打破。这一日，加贺的辖区内发生一起命案。年仅6岁的女孩春田井优菜被人杀害，凶手是附近居民区的一名初中生，这个名叫直巳（泉澤祐希 饰）的男孩在学校备受欺负，在家中则将自己封闭起来。为了掩盖儿子的罪行，直巳的父母前原昭夫（杉本哲太 饰）和八重子（西田尚美 饰）费尽心思搬运尸体，伪造现场。虽则如此，但是目光如炬的加贺刑警依然从中看出了端倪……本片根据东野圭吾的同名原著改编，系同名电视剧的SP。
Ψة
回复 :20世纪20年代的澳大利亚北部，身为牧师的当地人山姆因为自我防卫，而杀死了他的农场主哈里·马奇，一位身着锁链的土著小男孩目睹了一切面对法官弗莱彻组织人马的不断追捕，山姆不得不和妻子莉齐一起踏上逃亡的道路。可是，事情远远没有这么顺利。而在逃亡过程中，案件的真相慢慢变得明晰了起来。顾及怀孕的妻子，山姆最终放弃逃跑走上审判台。在一个白人至上的社会里，所谓的审讯又能否彰显公义？
白虹
回复 :
苏永康
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
