柳生烈堂（大木实 饰）的三个儿子在追杀拜一刀父子的过程中接连战死，没出于是派出手里最后的王牌——善于使用手里剑的女儿香织（瞳顺子 饰）。最终仍难逃落败的命运。愤怒的柳生烈堂找到自己庶出的儿子——土蜘蛛兵卫（木村功 饰）。善于使用土遁术的兵卫虽然憎恨生父，没出但仍接受任务，率领蜘蛛军团扑向拜一刀父子。沿途帮助过父子二人的普通百姓皆死于土蜘蛛手下，迫使拜一刀不敢乞食和投宿，以消耗其体力。待时机成熟，兵卫与拜一刀展开对决。蜘蛛军团的失手令烈堂陷入狂怒，遂调来全部人马与拜一刀父子在雪山展开决战……
牛飞
回复 :阿兴（石天 饰）和阿汉（吴耀汉 饰），一个性格腼腆，一个开朗奔放，命运将这两个个性迥异的男人牵到了一起，让他们成为了在夜总会中同台演出的最佳拍档。阿兴默默喜欢着女歌手阿珠（钟楚红 饰），害羞的他选择了将这份真诚炙热的感情深深埋藏在心底。阿汉将这一切都看在眼里，他决定帮助朋友抱得美人归。让两人感到头痛的是，一名富商亦在追求着阿珠，论财力，阿兴和阿汉完全不是他的对手。然而，阿珠并没有接受富商的追求，在她的心中，住着另外的一个人。遭到了拒绝的富商以为系阿兴从中作梗，将怒火全部发泄到了阿兴的头上，孱弱的阿兴不幸被打坏了脑袋。
韩磊
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
郑智化
回复 :恋爱超过一次的人，分了手的人，属于过去的人；毕竟都是我们爱过的──《前度》。刚从外地回港的陈均平(陈伟霆 饰)及其现任女友阿诗(诗雅 饰)，在机场巧遇前度女友──周怡(钟欣桐 饰)。周怡与旅行作家阿树(周俊伟 饰)正准备出发前往长途旅行，却发生争执闹至分手。为这次旅行而下定决心辞职、退掉公寓的周怡，一时无家可归，获对她念念不忘的陈均平和其女友阿诗收留。周怡前往二人的新居暂住，发现眼前追求物质生活的陈均平，早已不是曾经拥有梦想，一起共渡患难的陈均平。唯一不变的，是陈均平对周怡这位曾经分分合合，纠缠多年的前度思念如昔，始终没有放下过。短短两天内， 面对新居中熟悉的一事一物，处处勾起周怡与过往前度的回忆，30小时，回顾六年来的爱情游历。在和陈均平分手后，她遇上为她治疗失恋情伤的医生(杜汶泽 饰)，也爱过刺激浪漫的古惑仔阿升(向佐 饰)，有些人在她生命中仅短暂停留却刻骨铭心，有些人守候在身边却浑然不觉，就像陈均平的死党阿苏(曾国祥 饰)，见证着周怡与陈均平的几度复合与分手，只是默默地以朋友的身分守护着二人。每一次分手都是遇上下一位的机会，每一次错误结合令大家成为“前度”。可是周怡与陈均平又再共处一室，连番斗气却又极具默契，明明关系亲密却又刻意保持距离，二人曾经相爱的证据一一涌现，多年来纠缠累积的思念瞬间爆发……
