黄河和丝绸之路是华夏文明的代表，粉嫩这两条最主要的文明的线路恰恰在靖远发生了交汇。 靖远，粉嫩是中华古文明的十字路口。中原农耕文化、西域游牧文化，包括草原文化、青藏文化这四大版块的文化都在靖远丝绸之路上的黄河古渡发生着巧妙的碰撞。虎豹口、乌兰津、索桥关、寺尔湾、五佛沿等等，这些丝绸古道上的黄河渡口，有着丰富的未被发掘的人文价值。纪录片《丝绸之路上的黄河古渡》选择了索桥古渡作为代表，以纪录片的写实的方法， 探索了古人如何选择渡口、渡河方法、渡口沿革等历史疑团。2
黄淑惠
回复 :高中生春海和人（樱井孝宏 饰）是一个不可救药的阅读痴，为了能尽早读到新出版的图书，他努力考上东京的名门学校，并独自一人在此生活，终日与书籍为伴。在他的收藏中，春海尤其偏爱神秘作家秋山忍风格多变的著作。某天，春海所在咖啡店突遭歹徒，为保护身后一名只顾奋笔疾书的少女，他被歹徒残忍杀害。正前往另一个世界的春海，无论如何希望读完秋山忍“大罪系列”最后一部小说。凭借这股执念他重返人间，谁知却俯身在一条长毛腊肠狗身上。未过多久，狗狗春海邂逅能够听懂他心声的古怪少女夏夜雾姬（井上麻里奈 配音），而对方另一个身份正是秋山忍。阅读痴撞上写作痴，有趣的故事拉开序幕……本片根据更伊俊介（原著）、鍋島テツヒロ（插画）的同名原作改编。
大嘴巴
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
甲壳虫乐队
回复 :青山君（置鲇龙太郎 配音）是富士美高中足球部的种子选手。身为前锋的他，拥有着极强的体力和爆发力，传说中，只要有他加入的球队，总会在比赛中得到最后的胜利。可是，虽然青山君十分擅长足球这项崇尚身体碰撞，尽情挥洒汗水的运动，但他本身却是一个有着极度洁癖，异常厌恶身体接触的人，甚至在竞争激烈的赛场上，青山君也要带上橡胶手套。和青山君一起拼搏的，有身材壮硕个性傲娇外冷内热的财前勋（关智一 配音）、头脑冷静擅长理性分析，仿佛军师一般存在的坂井一马（保志总一朗 配音）、拥有着使用屁股顶球的特技的冢本仁（阪口大助 配音）。
