剧情简介
电影故事以中日战争末期的东北农村为背景，稻森讲述了战争时期，乾四爷一家的命运轨迹。
稻森视频
电影故事以中日战争末期的东北农村为背景，稻森讲述了战争时期，乾四爷一家的命运轨迹。
潘东文
回复 :亚历克斯．考克斯执导的本片在美国曾产生过一定的影响力。主要讲述在十九世纪中叶，理想主义者威廉华克应美国资本家科尼利厄斯范德比尔之邀，率领一群亡命之徒侵入中美洲国家尼加拉瓜，不但占领了国土，还宣称自己是该国总统，因为他相信“美国人有义务保护他们的邻居不受压迫”。故事根据历史事件改编，对美国人的侵犯行为作出了大胆而深入的探讨。全片气派雄伟，场面壮观。曾主演《心深处》的性格小生埃德．哈里斯在本片中扮演烽火怪杰威廉华克，表现相当突出，有震憾人心的演出。
吉雪萍
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
江宏恩
回复 :1945年8月，日寇投降后，新四军奉命向江北转移，途中遭国民党反动派伏击。纵队指导员周强（潘文展 饰）和机枪手老沈（金焰 饰）及卫生员杨玉文（张铮 饰），为掩护伤病员撤退，寡不敌众，不幸被俘。在押解途中，周强等在众人帮助下，打死敌分队长（董霖 饰），率众成功逃脱。他们用缴获的武器重新武装起来，在四明山和敌人打游击，并且发动周围群众，巩固自身力量。不久，他们和马县长（张望 饰）的游击队会师，建立起游击根据地，力量不断壮大。到了四九年春天，解放军发动渡江战役，大军一路南下，周强率游击队积极配合主力作战，作战中，船工大爷遭敌炮火轰击，壮烈牺牲，同船的杨玉文只身游过了长江......
