本片根据著名的香港高街死亡地下车库灵异事件改编。一幢老旧的大厦的地下车库经常出现各种恐怖事件，韩日车库内已拔出钥匙熄火的车却突然失控撞死车主，韩日原来停在此车位上的车连带其内的一对情侣自此失踪，天坑里也没有任何踪迹；有数名业主的车莫明在C区的墙上撞毁，车主丧生墙面却完好。这些事件吓坏了来此停车的众多业主，大厦日渐人丁冷落。大厦管理员聘请探灵小分队一探究竟。这才了解到数年前，曾经有一个母亲不堪追债，与其孩子一起在此地下车库C区上吊身亡。此后，车库内不断发生各类灵异事件，甚至还有人看到一对漂浮的母女……探灵小分队自从进入这个车库，就进入到万劫不复的深度恐惧之中，各种恐怖事件更加诡异莫测。其实，诡异的恐惧一直在你身边最常见的事物之间不经意发生，让你防无所防，细思极恐……
韩庚
回复 :继上一次的怪兽高燃对战之后，金刚和哥斯拉将再度联手对抗一个潜伏在世界中的巨大威胁，并逐步探索这些巨兽们的起源以及骷髅岛等地的奥秘。同时，上古之战的面纱也将会被揭晓，而正是那场战斗创造出了这些超凡的生物，并深刻影响了人类世界的命运。
杰特
回复 :Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
林在范
回复 :因为找到一份新工作，西蒙·卡勒姆（杰森·贝特曼 Jason Bateman 饰）带着从事绘画设计工作的妻子萝宾（丽贝卡·豪尔 Rebecca Hall 饰）来到加州居住。西蒙的事业小有成就，夫妻俩和谐融洽，生活无忧无虑。在购物时，西蒙偶然重逢高中同学戈多（乔尔·埃哲顿 Joel Edgerton 饰），两人简单交谈后挥手告别。未过几天，戈多不请自来为夫妻带来了小礼物，当晚三个人共进晚餐，不过西蒙感觉并不十分愉快，显然他不太喜欢这个始终那么古怪的同学，相反萝宾倒有些欣赏这个热心的男子。在一次小的波折过后，西蒙终于决定张口要和完全不属于同一个世界的戈多绝交。戈多面带失落，同时一种异样的表情在他脸上浮现……
