叶剑飞（周润发 饰）从小在戏班长大，极情对生活现状很是不满意的他一直想要到美国，极情希望能够在那里出人头地，但他的偷渡计划却屡屡失败。一次偶然中，叶剑飞结识了名叫黄克强（万梓良 饰）的男子，两人一见如故，结为了好友。黄克强和青梅竹马阿男（叶童 饰）两情相悦，无奈阿男的父亲却要 将阿男嫁给她并不喜欢的富家子弟，黄克强和阿男决定私奔。然而，就当三人跃跃欲试之际，战争爆发了，出国的计划再次流产。之后，阿男惨遭巡警强暴，黄克强终于得到了阿男父亲的认可，而叶剑飞则成为了“日军太保”，至此，三人依然没有忘记当初的约定，他们登上了难民船，开始了他们最后的旅行。
基地小虎
回复 :一个男孩因为向父母讨要零花钱失败，去当了自己的手表，却换回一张500元法郎的假钞。之后，这张假钞在很多人之间转手，最后落到了一个叫伊文（克里斯琴·佩蒂 Christian Patey 饰）的年轻人手中。伊文试着去餐馆花掉这张假钞，但被服务员发现了。警察认为他参与了假钞贩卖案而逮捕了他，但法官念他初犯，没有给他判刑。伊文释放之后，丢了工作。没有了钱，他只好和朋友去银行抢劫，却又一次栽在警察手里，被抓进监狱，被判刑三年…… 本片是布列松的最后一部作品，改编自托尔斯泰的短篇小说《伪息券》，曾获第36届戛纳电影节主竞赛单元最佳导演奖。
黄灿
回复 :本片讲述了退伍军人金双喜和黄河山兄弟俩同时退伍回到了金家寨。河山的媳妇荣芹以为这下河山可以陪在自己身边了，可河山不安于现状，决意到外面去闯荡，夫妻俩矛盾不断，最终离了婚。双喜从养猪做起，带领乡亲们逐步走上了致富之路，不幸的是妻子秀妮因难产死亡。荣芹同情双喜的遭遇，成了双喜的帮手，两人也在朝夕相处中产生了爱情。大伯子要娶弟媳妇，遭到金父和村里人地反对。河山从经营服装厂开始创办企业，由小到大成了远近闻名的企业家。双喜的妹妹书珍自小仰慕河山，大学毕业后到河山企业工作，帮助河山创业并大胆追求他。双喜得到乡亲信任当了乡长，欲通过招商引资广开财路，而此时河山正为扩大生产规模而犯难。书珍穿针引线促成了双喜和河山事业上的联手，两人达成共建老年幸福公寓的共识。就在他们事业收获的同时，黄金两家两桩奇妙的爱情也终成正果。
阎学敏
回复 :哥伦比亚新浪潮导演Carlos Mayolo的长片处女作，一部哥特风格的幻想片，获葡萄牙幻想电影节最佳女主角和最佳影片提名。是导演向Roman Polanski的《Rosemary's Baby》致敬的作品。"Flesh of your flesh" is a political allegory trhough a love story, framed into the magical colombian universe. In 1955, in the middle of a military dictatorship, a teenage girl seduces her brother and due to their incestous relationship the lovers are possessed by the ghosts of their ancestors. The two youngsters become vampirical and criminal creatures like those created by the colombian "violencia", mingling with the mythological beings of the countryside like "drafts" and other ghost sowing fear into the heart of men.Directed by Carlos Mayolo. Centers on a wealthy family fighting over the last testament of a just-deceased matriarch. From there, the family members are shown to have an incestuous relationship, and eventually vampires come into the picture, as well as unbridled slaughter.Tropical Gothic Baroque. An extremely interesting film about La Violencia in Colombia which captures the strange social and political heterogeneity of this dark set of events. Mayolo developed his own aesthetic - partly in collaboration with filmmaker Luis Ospina and the late Andrés Caicedo - 'el gótico tropical' in order to convey this strangeness. The film combines local Colombian myths - caspi, la madremonte, el hojarasquin del monte - with themes of vampirism and incest to convey the place of La Violencia within a repetitive and cyclical history characterised by interpartisan conflicts that benefit the empowerment of the Colombian aristocracy.
