麦考尔（丹泽尔·华盛顿 Denzel Washington 饰）是一名已经退役的黑色行动突击队队员，按摩常年浸淫在充满了暴力和危险的生活中，按摩麦考尔的内心早已经疲惫不堪，为了脱离组织，他大费周章伪造了自己已经死亡的假象，来到了波士顿，改头换面，隐姓埋名，企图能够过上平静安宁的新生活。一次偶然中，麦考尔遇见了被俄国黑帮控制的雏妓泰利（科洛·格蕾斯·莫瑞兹 Chloe Grace Moretz 饰），女孩坎坷的身世和危险的现状博得了麦考尔的同情，他决定帮助这个可怜的女孩。然而，在解救泰利的同时，麦考尔自己也陷入了黑帮强大的火力之中，对警方的昏庸和腐败失望透顶的麦考尔决心挺身而出与体制对抗。
卡奇社
回复 :本片改编自真实事件。19 世纪末，伊格纳西奥·德拉·托雷与墨西哥总统的女儿波费里奥·迪亚斯成婚。伊格纳西奥过着双重生活：他在传统的政治世界中声名鹊起，同时又是秘密社团的成员之一。他一直维持着这种微妙的平衡，直到他结识了社团的第 42 位成员埃瓦里斯托。一次，他举办的派对（也被称为“秘舞 41”）遇到了警方的突袭检查，导致丑闻曝光，引起轩然大波。
刘美君
回复 :Barefoot roadtrip around Guinea in search of the first film made by a local filmmaker. A charming and cinematic adventure, where the journey and the destination are equally important, and a film about collective memory and porous film reels.Does a film exist if no one has seen it? Guinean film director Thierno Souleymane Diallo goes on a barefoot road trip around his country to find the mythical 1953 film ‘Mouramani’ – the first Guinean film made by a local filmmaker. But it is not easy to find the film or anyone who has seen it for that matter. Some believe it is about the Islamisation of the Mandinka people. Others that it is about the relationship between a dog and its owner. Along the way, Diallo passes old, abandoned cinemas and dusty piles of moisture-damaged film reels. ‘The Cemetery of Cinema’ is a charming, cinematic adventure in which the journey is almost as important as the destination, and where the encounters along the way remind us of the importance of preserving a shared memory and culturel heritage.
芳华十八
回复 :警犬小黑负伤退役，守候在为它牺牲的主人杨琰墓旁始终不愿离去巧逢杨琰父亲（杨校长）和外甥女（暖暖）来祭奠，小黑在暖暖身上感受到已故主人的气息，选择依偎在暖暖身边。在暖暖的坚持下，杨校长领养回了小黑。残疾的小黑到了新家受到娇憨天真的暖暖细致的温暖，慢慢康复起来。与此同时痛失爱子的杨校长开始反思自己虎父型家长作风，暖暖私生女的身份浮出水面，原来杨校长因不能释怀暖暖父亲与自己女儿的婚外情而间接导致杨炘产厄。杨校长与暖暖父亲的嫌隙让罪犯绑走暖暖并索要大笔赎金，杨校长懊悔不已。交付赎金过程出现意外，众人认为暖暖遭遇撕票，杨校长突发脑溢血进了医院。只有小黑仍然坚持寻回暖暖，等待它的会是怎样一场殊死搏斗……
