剧情简介
安娜为了她的男朋友史提芬，工作不惜牺牲当上舞女，工作并把赚来的金钱都给予史提芬去做生意，希望有一天能过正常的生活，但原来史提芬是一名爱情骗子，他不单骗去安娜的金钱和爱情，最后更将她卖给娼妓集团当妓女。 安娜愤怒之余，竟拿刀刺进史提芬的胸膛……
工作视频
安娜为了她的男朋友史提芬，工作不惜牺牲当上舞女，工作并把赚来的金钱都给予史提芬去做生意，希望有一天能过正常的生活，但原来史提芬是一名爱情骗子，他不单骗去安娜的金钱和爱情，最后更将她卖给娼妓集团当妓女。 安娜愤怒之余，竟拿刀刺进史提芬的胸膛……
康康康乐队
回复 :故事发生在大唐初年，为了超度东土亡灵，一代高僧唐僧（何藩 饰）得到唐王支持，在大队兵马随从的护送下浩浩荡荡前往西天佛土，求取大藏真经。这一路坎坷艰辛，自不用提，更有洞府山川的妖怪精魅蠢蠢欲动，企图吃掉唐僧。适才还晴空万里，转眼飞沙走石，原来妖怪黑风大王施展法术，令唐僧和随从们失散，而妖怪们为了争抢唐僧更大打出手。唐僧一路逃亡，筋疲力尽，结果在五行山见到了被镇压在这里长达五百年的齐天大圣孙悟空（岳华 饰）。悟空受观世音菩萨指点，答应力保唐僧西天取经。在武功高强的徒弟的帮助下，唐僧总算暂时安下心来。接下来的旅途中，他们又遭遇了高老庄的猪八戒（彭鹏 饰）、沙和尚（田琛 饰）以及白龙潭的小白龙，恢弘的西游记的故事正式上演……
袁凤瑛
回复 :电影讲述了一位在异国他乡长大的小女孩回到中国的感人故事，通过学习中国文化，感受中国的人情和温暖的热土，最后决定留在中国的情感故事。
程于伦
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
