本片根据自幼患有自闭症的美国动物科学家、犯罪畜牧学博士——天宝·葛兰汀（克莱尔·丹尼斯 Claire Danes饰）的个人自传改编而成，犯罪讲述天宝与众不同的成长经历。天宝四岁时被医生诊断为自闭症，母亲尝试多种方法让天宝开口说话。为了让天宝拥有正常人的生活，妈妈忍痛送她去一间寄宿学校念书。在这里，天宝认识了开启她天赋大门的恩师卡洛克博士。在恩师的帮助下，天宝顺利考入了大学。临上大学前的暑假，天宝来到姨妈家的农场度假。自此，天宝对牲畜产生了浓厚的兴趣。在大学里天宝制作“挤压机器”来平复紧张情绪。毕业后，天宝继续从事畜牧业的研究学习，设计出大大提高屠宰率且更为人道的屠宰方式。天宝以她独有的方式去认知世界，“像牲畜一样的思考”，在自闭症研讨会上大声的讲出自己的亲身经历……
阳一
回复 :Don (方力申 飾) 在村屋中醒來，發現身旁被綁少女丁丁(王菀之飾)！被指為綁匪的Don喪失了記憶，唯有放走肉參了事，但丁丁賴著不走！精靈愛搗蛋的丁丁心中另有謀算，威迫利誘終令Don答應陪她上演綁架戲，真戲假做，希望得到富爸爸的關愛！「假」肉參與「假」綁匪的另類同居生活這樣展開，二人引發趣事連連，烏龍百出！相處數天，贖金未拿到，富爸爸不見影，二人卻錯有錯著，與村內一眾街坊不打不相識。集愛情、友情、親情、人情的村子裏， 丁丁漸漸脫落刁蠻態度，Don由憐生愛，填滿了丁丁空虛的心。另一邊廂，丁丁父親在妹夫的喪禮中，聽了一席感人肺腑的話而明白到，就算丁丁有多不完美，但她仍是自己的女兒。好景不常，丁丁被綁上綁！Don發瘋徹夜狂跑，誓要從綁匪手中救回她！卻駭然發現，整個故事非表面般簡單....
方伊琪
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
蜜雪薇琪
回复 :一对已经离异的夫妻为了夺回属于他们的退休金又走到了一起，到底他们能成功吗？
