他的秘密生活2001
地区:其他
  类型:法国
  时间:2024-11-22 04:10:16
剧情简介

秘密这个开创性的系列旨在回答历史上最重要的问题之一。 纳粹最终是怎么做的? 受过良好教育的文明人如何变成了扭曲得难以想象的残酷怪物。 这个令人震惊和揭示性的系列文章探讨了六个主要的纳粹分子。

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李劲松
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郑嘉颖

发表于2分钟前

回复 :A 13-year-old girl delivers heroin to some friends of hers in a leafy suburb, as a daily ritual.


红雨

发表于8分钟前

回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.


郑永芝

发表于4分钟前

回复 :十九世纪六十年代的布拉格:巴尔丁是个受欢迎的英俊学生,他是镇上最厉害的击剑手。他和他的朋友达尔,都喜欢店主的侄女莉迪亚。当学生们帮莉迪亚庆生时,歌剧明星茱莉亚来到了旅店。巴尔丁平静的生活开始发生变化。他迷恋上茱莉亚,但茱莉亚已经有了一位仰慕者,就是富有的花花公子沃迪思男爵。一个穷学生要怎样与之竞争?这时,神秘的卡皮斯医生出现了,他似乎与茱莉亚有千丝万缕的联系,而且深深的嫉妒着沃迪思男爵。卡皮斯医生为巴尔丁指引了一条道路,却要巴尔丁付出的超乎想象的代价,他的风险他的理智他的生命,甚至是他的灵魂……


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