剧情简介
一个醉心枪械的年轻人欲投考警察，追星因有眼疾未被录取，追星造成心理不平衡而四处杀人。警方成立特别组缉捕他，一个初出茅庐的警察与凶手狭路相逢......
追星星的人
一个醉心枪械的年轻人欲投考警察，追星因有眼疾未被录取，追星造成心理不平衡而四处杀人。警方成立特别组缉捕他，一个初出茅庐的警察与凶手狭路相逢......
叶俊岑
回复 :漂在北京十年的摄影师林皓（胡兵 饰），依旧找不到生活在这里的意义，事业上毫无起色，情感上也浑浑噩噩。老板安总（连晋 饰）计划出版一本以三峡人文风貌为主题的画册，于是交给他一个任务：回家乡涪陵采景。怀揣着对初恋女友程雨（刘涛 饰）的思念与感伤，林皓回到曾经成长的地方，过往记忆中青梅竹马的美好与异地分别的心碎不断涌现。当他终于决定不顾一切挽回程雨的心时，却发现伊人已经另结“新欢”。与此同时，安总在外包养小三的事情败露，面对伤心欲绝的妻儿与翻脸要钱的情人，落魄的安总也躲到了涪陵，与林皓一同买醉。林皓将十年来的日记及照片册交给程雨的“新男友”，后者被他们多年来深厚而笃定的爱情所打动，说服程雨再次回到林皓的身边。在昔日定情的大树下，这对分隔多年的恋人再次牵起了对方的手。而幡然悔悟的安总也终于拨通了妻子的电话，真正的家人依旧在远方等待着他的回归……
东山少爷
回复 :在19世紀70年代美國，一個和平的美國定居者殺害他家人的兇手這釋放出一個臭名昭著的黑幫頭目的憤怒。他的懦弱的傢伙鄉民然後背叛他，迫使他追捕歹徒孤單。故事背景設置在1870年代的美國西部小鎮，一名性格溫和的丹麥移民在失去了家人之後向兇手報仇，然而這讓他成為了當地一個臭名昭著的大惡棍的眼中釘。鎮上貪生怕死的居民全都背叛了他，留下了主人公獨自面對那些不法之徒。丹麥預計2014年10月2日上映的西部劇情片【The Salvation】，入圍第67屆坎城影展競賽片，是丹麥導演克里斯汀‧萊伏林第五部上大螢幕的長片作品，由坎城影帝麥德‧米克森 以及 性感女星伊娃‧格林主演。本片由【勿怕我】克里斯汀‧萊伏林 Kristian Levring自編自導，【謊言的烙印】麥德‧米克森 Mads Mikkelsen、【300壯士：帝國崛起】伊娃‧格林 Eva Green、【紅潮入侵】傑佛瑞‧狄恩‧摩根 Jeffrey Dean Morgan領銜主演。
韩晶
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
