苏妮塔（吉滕德拉 Jeetendra）是印度孟买一家大工厂主莫汉达斯的独生女儿，春暖莫汉达斯死后，春暖她听从他的遗愿与其心术不正的养子拉詹结婚，并答应拉詹会与他在坎达拉的一所小别墅欢度新婚之夜。驱车到达别墅时，苏妮塔遇到夜总会舞女莫妮卡，得知拉詹正是杀害父亲的凶手。凭借机智逃离别墅后，苏尼塔结识一个来自吉普赛的大篷车队，她生命中最重要的人莫汉（阿莎•帕雷克 Asha Parekh）第一次走进她的视线，然而两人的爱情之路，并非一帆风顺，如阴魂般的拉詹，是其中最大障碍。
金贤政
回复 :影片讲述了空巢老人刘忠实苦苦等待儿子回家的故事。儿子刘晓义长大成人并在城里有了自己的家，忙碌的他却不曾留意家乡的父亲已日渐苍老，如山背影不在，而老人最大的安慰不过是一顿简单的团圆饭。影片意在呼吁社会关注“空巢老人”现象，提醒为人子女上善父母，给予不如陪伴，陪伴是最长情的爱。
艾成
回复 :1975年夏，祖国西南边疆某地蛇灾蔓延，军民、畜禽时常罹难早先施用蛇药突然失效，情势非常严重。蛇学家、归国华侨牛玉声奉命率领一支考察队急切奔赴灾区。在调查研究的基础上，牛玉声认为，有一种黑眼镜蛇出没在这一带，它正是考察队觅寻的新蛇种，其毒液是研制新蛇药的原料。他建议考察队迅即奔赴毒蛇活动猖獗的国境线附近寻捕。李钧是考察队中"另有使命"的队员。他受命暗中监视牛玉声，对牛玉声一举一动抱有怀疑和警惕。李钧的恋人田甜，是一个纯洁、开朗、活泼的姑娘。她担当了考察队的向导。她不满李钧对牛玉声的监视。某日，牛玉声追踪黑眼镜蛇至国境界碑处，李钧持枪以企图越境的"叛国者"的罪名将他遣返回去。田甜气忿不已，断然与李钧分手。为了研制新蛇药。牛玉声继续工作。这天，考察队又发现了一条粗大的黑眼镜蛇。为了生擒毒蛇以取毒液，牛玉声奋力与毒蛇搏斗，不幸，凶猛的毒蛇将毒液射入他的眼中。田甜忿然砍死了毒蛇。牛玉声为失去这条活蛇而严厉批评了田甜。急救车载着牛玉声和田甜等几个护送人员，冲开雨雾，在公路上疾驰，田甜为自己的过失而负疚，决心补救这个损失，于途中跳下汽车，消失在茫茫雨色中。牛玉声被送进医院，主治工程师恰是田芳。牛玉声得救了。田芳告诉丈夫，女儿正是田甜。牛玉声的心里发出对女儿深沉的呼唤。此时，田甜被毒蛇咬伤，正晕倒在森林里，她的身旁蠕动着被擒的毒蛇。牛玉声及时赶到，把她救起，并生擒了毒蛇。新蛇药使田甜美丽的眼睛重新张开了。历尽坎坷的牛玉声一家团聚了。然而命运又一次驱走了刹那的欢榆，李钧奉命来逮捕牛玉声。牛叮嘱妻女："等着我……"他坚信，乌云散去，即是朗朗的晴空。
薛家燕
回复 :Frank Lloyd Wright is America's greatest-ever architect. However, few people know about the Welsh roots that shaped his life and world-famous buildings. Now, leading Welsh architect Jonathan Adams sets off across America to explore Frank Lloyd Wright's masterpieces for himself. Along the way, he uncovers the tempestuous life story of the man behind them and the significance of his radical family background.In a career spanning seven decades, Frank Lloyd Wright built over 500 buildings, and changed the face of modern architecture: Fallingwater, the house over the waterfall, has been called the greatest house of the 20th century; the spiralling Guggenheim Museum in New York reinvented the art museum; the concrete Unity Temple was the first truly modern building in the world. But the underlying philosophy that links all Wright's buildings is as important as anything he built.Those ideas were rooted in the Unitarian religion of Frank Lloyd Wright's mother. Anna Lloyd Jones was born and raised near Llandysul in west Wales and migrated to America with her family in 1844, most likely to escape religious persecution. Her son, Frank, was raised in a Unitarian community in Wisconsin, a small piece of Wales in America. The values he absorbed there were based on the sanctity of nature, the importance of hard work, and the need to question convention and defy it where necessary. Wright's architecture was shaped by, and expressed, these beliefs.Frank Lloyd Wright set out to create a new American architecture for a new country. He built his own lifelong home in the valley he was raised in, and he named it after an ancient Welsh bard called Taliesin. It was the scene of many adventures - and a horrific crime. In 1914, a servant at Taliesin ran amok and killed seven people including Wright's partner, Mamah Cheney, and her two young children.Wright rebuilt his home and went on to marry a Montenegrin woman, Olgivanna Milanoff, some 30 years younger than him. It was Olgivanna who struck upon the idea that saved Wright's career after the Wall Street Crash and personal scandal laid it low. She decided that her husband should take on apprentices and that the apprentices should pay for the privilege. The Taliesin Fellowship had a hands-on approach, with apprentices often building extensions to Wright's own houses, labouring and cooking for him. Somehow it worked, lasting for decades and nurturing hundreds of young talents.Frank Lloyd Wright died in 1959 aged 91 while working on his final masterpiece, New York's incomparable Guggenheim Museum. He had been born in the wake of the American civil war, the son of a pioneer, and died a television celebrity, in the space age. He is buried in the shadow of Taliesin, alongside his Welsh ancestors.A 150 years after his birth, Jonathan Adams argues that Frank Lloyd Wright is now a vitally important figure who can teach us how to build for a better world. Wright believed in what he called organic architecture; buildings that grace the landscape, express an idea of how to live and respond to individual needs. This bespoke approach - a philosophy, not a style - puts him at the heart of modern architectural thinking.
