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故事聚焦一位有前科者，久久他被克里斯平·格洛弗扮演的变态杀手所追踪。
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故事聚焦一位有前科者，久久他被克里斯平·格洛弗扮演的变态杀手所追踪。
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
回复 :二十世纪初期是西部的转型期，但著名的侦察员兼神枪手汤姆霍恩（史蒂夫．麦奎因饰）无视时代变迁，仍坚持个人的生存原则，以单枪匹马搜捕罪犯为生，最后被时代淘汰。本片根据汤姆．霍恩的自传改编，以冷峻手法表现一个没落西部英雄的形象，手法传统，故事清淡，但颇能捕捉到暴力与死亡的痛苦感觉。
回复 :从小在英国长大的杰西卡随未婚夫家诚回到中国，但她并不知道自己的婆婆珍玉是前清格格，而珍玉也不知道自己留洋的儿子会给自己带回一个洋媳妇儿。婆媳两人第一次见面杰西卡就用西方礼节表达了婆婆的敬仰，但却弄得珍玉浑身难受。虽然已是民国，但珍玉依然保持着当格格时的着装和习惯，府里上上下下俨然当年肃亲王府的做派，民国着二十年，珍玉从未踏出过齐府。珍玉十分不理解当年丈夫非要儿子留洋的遗愿，但家诚却说自己这些年在英国开了眼界。珍玉对杰西卡的第一印象不太好，不仅是她的过于热情的见面方式，还有她的出身和家庭背景，珍玉还保留着儿子应该娶旗人的老观念，而家诚也正是有这么一名旗装未婚妻娉婷。家诚的妹妹碧琴很喜欢杰西卡，而杰西卡也送了她胸罩当礼物，不知用途的碧琴却把它穿在了衣服的外面。杰西卡问起婆婆对自己的印象，家诚假意说好，并且要杰西卡待会儿晚饭时按自己的手势更好的表现。谁知晚饭时，珍玉给了杰西卡一个下马威，横挑鼻子竖挑眼。杰西卡看出饭桌上，碧琴和齐家的管家孔明似乎对彼此有意。饭后的茶话会上，杰西卡大方地聊起自己的父亲，但众人却对她当妇产科医生的父亲瞠目结舌。杰西卡把洋皂作为礼物送给珍玉，却不慎将装有珍玉父亲肃亲王骸骨的瓷罐打碎。杰西卡又亲手做了蛋糕送给珍玉道歉，却不小心将蛋糕扣在了珍玉的脸上。珍玉要家诚把杰西卡赶走，但家诚对杰西卡一往情深，说什么也不答应。碧琴，家诚，孔明，杰西卡去看戏，众人聊起珍玉还未破灭的大清梦，而大家一致认为能改变珍玉生活方式的人已经出现，而这个人就是杰西卡。众人回家途中，遇见了碧琴的未婚夫那齐，那齐是八旗子弟，但却是流氓作风，还当街调戏碧琴。杰西卡忿忿不平，说那齐根本配不上碧琴。娉婷来看望珍玉，她已经知道了家诚回国并带回杰西卡的消息，珍玉安抚娉婷，说她才是自己最理想的儿媳妇。四人回到家中和娉婷打了照面，娉婷无意中透露自己对家诚的关怀和思念，杰西卡看在眼中。杰西卡看出家诚和娉婷的关系，家诚解释说两人只是小时候定过亲，但他出国的时候跟娉婷就已经说清楚了。杰西卡感觉到娉婷对自己的威胁，决定战斗到底。杰西卡和娉婷在饭桌上斗了起来，家诚忙于应付，手忙脚乱。珍玉宣布留娉婷在家里住下，并且要在齐府里举行以前宫中每年都会举行的女儿节--未出嫁的女孩儿都要展示自己的美丽和才艺。珍玉真实的目的是想让在国外长大的杰西卡出丑。女儿节当天，娉婷的装束中规中矩，谁知杰西卡穿上了外国流行的蓬蓬裙，众人算是开了洋荤。杰西卡还将小姑碧琴的旗装改良，突出了碧琴的身材，让孔明赞不绝口。珍玉又让娉婷、碧琴、杰西卡表演才艺。娉婷、碧琴表演了琴箫合奏，而杰西卡竟然抱着一把吉他自弹自唱了一首英文歌，赢得众人欢呼。碧琴又让三人给自己作画，娉婷和碧琴做了很好的描摹，杰西卡却给珍玉画了一张惟妙惟肖的漫画，夸张了珍玉的五官，惹得珍玉很不高兴。最后珍玉又想用行酒令的办法灌醉杰西卡，杰西卡不通古文，先被灌了些酒，但后来她想出了"外国行酒令"的游戏，"一只蛤蟆掉下水，两只眼睛四条腿，两只蛤蟆掉下水，四只眼睛八条腿，三只……"这下把珍玉难住了，珍玉没想到被杰西卡反扑，眼冒金星地晕倒在饭桌上。娉婷和家诚送珍玉回房，两人在房里独处，不由得有些尴尬。娉婷说自己不会放弃家诚，但家诚却说自己心里只有杰西卡。碧琴和孔明在花园中赏月，碧琴暗示着自己对孔明的感情，理智的孔明表达了两人因为身份差距不可能在一起的结局，碧琴伤心地走了。杰西卡躲在墙角听见了两人的对话，杰西卡问孔明为什么不争取自己的爱情，孔明苦恼地说自己出身卑微，配不上小格格。而珍玉又对他有知遇之恩，他不能骗走珍玉的女儿。杰西卡骂他迂腐，孔明似乎心有所动。经过这一次折腾，珍玉更加坚定了不能让杰西卡进门的决心，但此时众人却发现杰西卡一早上不知上哪儿去了，正当众人为她担心的时候，杰西卡浑身淤泥的回来了，原来她知道珍玉醉酒，自己一早就去山上为珍玉采摘解酒的药草去了。珍玉有些感动，但她还是决定用三个难题去为难杰西卡，并且三个难题她都要娉婷为杰西卡做示范。第一关，要学会伺候婆婆，娉婷给珍玉捶脚，珍玉很是舒服，轮到杰西卡了只听见珍玉房里传来阵阵杀猪般的惨叫。家诚等人冲进房中，只见杰西卡又是脚底按摩又是泰式马杀鸡，把珍玉弄得叫唤连连，却也浑身舒坦。第二关，要下的厨房，娉婷做的菜不仅色香味俱全，而且都有个好彩头，而杰西卡却做了两道叫做牛气冲天和九牛一毛的菜，虽然造型奇怪，但味道尚佳，里面用到的食材都是经过了她的精心挑选和烹饪。第三关，就是要杰西卡筹划小姑碧琴的婚事。杰西卡早就看出碧琴和府里的管家孔明两情相悦，但无奈两人都不敢向珍玉吐露真情。娉婷天天带着碧琴上街采买嫁妆，杰西卡却整天在家里看闲书。这可愁怀了家诚。碧琴出嫁当日，杰西卡将孔明打晕送上了花轿，破坏了碧琴的婚事，但也让碧琴和孔明勇敢地面对感情。珍玉却火冒三丈，她一气之下将杰西卡赶了出去。珍玉和家诚产生了激烈的争吵，珍玉无论如何也不同意杰西卡入门，而家诚却说如果母亲容不下杰西卡，自己也将离开这个家。珍玉问他为什么，家诚说这就是爱情。家诚和守门的家丁对峙，最后家诚强迫家丁开了门，这一幕被娉婷看在眼里。娉婷为家诚做说客，她告诉珍玉她将退出这段三角关系。家诚心急如焚在街头寻找杰西卡，谁知杰西卡在酒馆被两个流氓下了药，惨被绑架，而流氓却指定珍玉送赎款。珍玉先是不答应，但想起杰西卡的种种可爱之处又毅然冒险前往，走出了她禁足二十年地齐府，望着改朝换代的民国，她不由得感慨万千。流氓将珍玉骗到郊外，而此时杰西卡已经成功逃脱，两个流氓打算杀掉珍玉，杰西卡看准时机，将两个流氓成功打晕，救出了珍玉。经此一役，珍玉终于同意杰西卡进门。杰西卡，家诚，碧琴，孔明一起给珍玉奉茶，娉婷落寞地看着他们。