剧情简介
在严父干涉之后，美女免费13岁女孩莉莉放生了爱犬哈根使之成为流浪狗之后想重新找回爱犬的莉莉会发生怎样的故事呢？\r《白色上帝WhiteGod》片名致敬了《白狗WhiteDog》，美女免费拍摄过程中使用了创纪录的274只狗，这些狗大多来自流浪动物救助中心。《白色上帝》首映于2014年戛纳电影节一种关注单元，获得了该单元最高奖一种关注大奖。
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在严父干涉之后，美女免费13岁女孩莉莉放生了爱犬哈根使之成为流浪狗之后想重新找回爱犬的莉莉会发生怎样的故事呢？\r《白色上帝WhiteGod》片名致敬了《白狗WhiteDog》，美女免费拍摄过程中使用了创纪录的274只狗，这些狗大多来自流浪动物救助中心。《白色上帝》首映于2014年戛纳电影节一种关注单元，获得了该单元最高奖一种关注大奖。
关心妍
回复 :外表温柔安静的苏韵锦（刘亦菲 饰）在高中同学程铮（吴亦凡 饰）的深情追求下慢慢爱上了对方，可无奈相爱容易相处难，自小生活环境的差异以及性格的迥异开始成为两人之间的问题，矛盾的不断发现最终还是让感情出现了裂痕最后走到了分手境地。几年后，苏韵锦成为了一个事业有成的职场女强人，但平静的生活因程铮的再次出现而泛起了涟漪，两人剪不断理还乱的感情促使他们又纠缠到了一起，并且这时才知道彼此在这几年中都没有放下，想爱但又怕过去重演……
飞颖
回复 :「明日の記憶」「2LDK」の三浦有為子が脚本を手がける本作。ある男の葬儀後にアトリエで出くわした女性3人が、その男に3股をかけられていたと知ったことから展開する、“精子バンク”が題材の会話劇となっている。
郭顶
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
