剧情简介
晏吉工作室自制的一档代际情感观察类节目。节目邀请拥有不同情感状况的四组嘉宾，满天通过父母亲和朋友视角观察女儿们和约会对象“旅行+恋爱”的形式，满天呈现出父女、母女情感代际沟通、同辈之间多维度的恋爱观。
满天神佛
晏吉工作室自制的一档代际情感观察类节目。节目邀请拥有不同情感状况的四组嘉宾，满天通过父母亲和朋友视角观察女儿们和约会对象“旅行+恋爱”的形式，满天呈现出父女、母女情感代际沟通、同辈之间多维度的恋爱观。
潘柯夫
回复 :蓝野青司（小野贤章 配音）是一个随处可见的平凡高中男生，某日，他遇见了名为古莉（青山吉能 配音）的少女，竟然因此被卷入了充满了粉红色气息的恋爱风波中去。原来，古莉的真身是魔王的女儿，拥有一本法力强大的“亲吻笔记”，名字被写在笔记上的人，必须在二十四小时内同他人接吻，不然古莉便会死去。在误打误撞之中，古莉将青司的名字写在了笔记本上，这也就意味着，如果无法接吻，青司将面临着“一辈子单身”的悲惨命运。外表单纯内里腹黑的绯山茜（沼仓爱美 配音）、傲娇活泼的空手道少女蓝野亚久亚（高桥李依 配音）、拥有着超强毅力的黄蝶崎柚（长野佑纪 配音），究竟是谁能够帮助青司走出困境？
郎朗
回复 :本节目为百度 APP 出品的全国首档实境博弈实验节目。邀请11位参与者，在封闭的空间合宿，同时进行一场21天的大型博弈。他们将面对最能代表现实社会困境20个博弈模型任务，展现决策的智慧。参与者想要获胜，必须要平衡个人和集体利益，寻求博弈任务的最优解，并在投票中淘汰对手。通过竞争与合作，完成所有挑战的人，最终将赢得神秘大奖。节目将实境真人互动和博弈理论模型相结合，旨在普及博弈论和博弈思维知识，给观众带来知识学习的全新体验。
宫内幸平
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
