2045年,春暖一位导演从地球带着他拍摄的影像素材到达火星,春暖素材是关于他曾经遇到过的越南原住民群体。本片从身份议题、美学、影像政治学到当地葬礼风俗,再到那些有形与无形的力量催生的文化,将科幻片元素与人类学电影相结合,阐释了时间与环境在极大程度上影响着我们对家园这一概念的理解。
2045年,春暖一位导演从地球带着他拍摄的影像素材到达火星,春暖素材是关于他曾经遇到过的越南原住民群体。本片从身份议题、美学、影像政治学到当地葬礼风俗,再到那些有形与无形的力量催生的文化,将科幻片元素与人类学电影相结合,阐释了时间与环境在极大程度上影响着我们对家园这一概念的理解。
回复 苏格兰高原长大的费沙生于一个传统的大家庭,祖母严谨看管,令十岁的他生活苦闷至极,幸好有一位带点神经质的怪爸爸艾活和性情温婉的妈妈,令家里气氛变得轻松。艾活经常惨遭村民白眼,只有儿子费沙对他另眼相看,父子两人本是感情融合,便及至法国美女希露丝出现,二人不约而同地对她萌生爱意,年纪轻轻的费沙还对希露丝产生性幻想,最后闹出一场不寻常的荒唐怪事。 :本片是布努艾尔与墨西哥女演员希尔维亚·比那尔(Silvia Pinal)合作,由比那尔的丈夫古斯塔沃·阿拉特里斯特(Gustavo Alatriste)出资制片的三部曲中的第二部。故事从一场盛大的晚宴开始。诺比尔夫妇在家款待朋友,可正当客人驾到之时,厨师和仆人却突然离去,只有管家胡里奥(克劳迪奥·布鲁克 Claudio Brook 饰)留下。宴席过后众宾客在起居室欣赏来宾之一演奏钢琴,但结束后竟无人打算离去。众人和衣在屋中睡下,清早醒来发现依然无人能够离开,只要一走到门口,便心生留意。一行人神秘被困数天,屋外的人也无法进入。被饥饿、干渴、疲乏和恐惧笼罩的这些上层社会男女们开始不顾身份地位地争吵、哭泣、动粗,甚至威胁要杀掉主人,破除“魔咒”……本片获1962年法国嘎纳电影节金棕榈奖提名。
回复 :平静的东京湾突然发生海难,当人们还在猜想是否海底火山爆发时,一只巨大的怪兽冒出水面并登陆城区。日本政府主导成立了“巨大不明生物灾害部”,网罗了国家中的奇人异士加盟,研究发现怪兽是受到放射性污染而诞生出来的,命名为哥斯拉;尝试了各种办法均宣告失败的“灾害部”最后不得不决定对哥斯拉采取武装攻击。但是这个巨大的怪兽哥斯拉完成了更恐怖的进化,整个东京将要沦为一片人间地狱,一场人类与怪兽的最终决战即将到来……该片是2017年日本票房突破80亿的日本真人电影,并横扫第40届日本电影学院七项大奖;片中的怪兽也被称为整个哥斯拉系列中“最大版本”。
回复 :The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.