清朝初期，亚洲康熙皇帝尚且年少，亚洲奸臣从中控制政权，民不聊生。“天地会”是一个推翻清朝的民间组织。“天地会”首领陈近南（刘松仁 饰）在一次行动中幸得韦小宝（周星驰 饰）相救，小宝就此加入天地会，被派到王宫当卧底，偷取藏有清朝秘密的四十二章经。聪明机灵的小宝很快便成为了皇上的心腹，做了大官。小宝陷入了两难的状态，他既要执行任务却又跟皇帝成为了好朋友。就在小宝想要逃走之际，师父陈近南也找到了他，并派人监视他回到王宫。不久，小宝便受到了鳌拜同盟以及假太后的追杀，与天地会的人大战起来。
吴建豪
回复 :方丽娟（杨千嬅饰）每天都与区海文（吴彦祖饰）过着打情骂俏的生活，当丽娟努力训练自己成为一个好媳妇讨好未来公公时，接受了另外一个新任务——保护某国即将到港的王妃，可是遇到了资金问题，丽娟请求海文的帮助，惹来海文的不满，两人因此冷战。丽娟甚至以为王妃勾引海文，与王妃大打出手，被勒令停职处分。原来警方是想让丽娟接受另一个卧底任务，到国内以名媛的身份接近盗窃集团首脑韩洋并取得他的犯罪证据。海文不放心跟到了上海，却与丽娟双双落入了韩洋的手里，韩洋威胁丽娟需要用价值连成的红酒交换海文，而身为警察的丽娟陷入了两难的状态……
吴莺音
回复 :尽管与丈夫关系冷淡，但Kaja表面上依旧是一位随和、乐观的家庭主妇。当新邻居Sigve和Elisabeth夫妇搬来之后，他们高尚的生活让Kaja感到无比向往。这对美丽、教养很好的夫妇领养了一位黑人男孩，还利用业余时间在唱诗班演唱。Kaja、Sigve意外地开始了一段婚外恋情，就当两人水乳交融的时刻，一桩桩秘密与真相被揭开。
叶玮庭
回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
