高级督察何尚生（刘青云）被劫持人质的劫匪伊健（郑伊健）点名到案发现场进行谈判，双色眼见伊健在现场的嚣张，双色何尚生斗意昂扬欲将其拿下，但被其逃脱。挫败激起何尚生的战意和好奇心，开始同伊健玩起“取赎金的游戏”来。何尚生收到伊健寄来的数件艺术品的残骸，在国际刑警Ruby（黄卓玲）的帮助下发现被破坏艺术品均在同一间国际级保险公司承保，猜想伊健意图勒索该保险公司，遂前往展开调查，而此时伊健恰好致电该公司高层Teresa（林熙蕾）勒索一千万，尚生即刻接手案件，却发现事情远非想象的那么简单。
金悦
回复 :阿成因经常非法赛车而输得一身债，女友阿敏也被迫靠出卖肉体偿还债务，但始终未能还清。在走投无路下，他为悍匪沙胆效力。在一次打劫行动中，阿成协助沙胆摆脱警方包围，沙胆重赏他，成把钱乱花，引起警方注意，调查下得知他与劫案有关，警方要求他作污点证人及作饵来缉捕沙胆。沙胆在联络成时被警方追捕，认定成出卖自己，要杀成，警方保护成与沙胆火并，终将沙胆歼灭……byyakubd.cc
闫旭
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
眼球先生
回复 :出品单位 北京海晏和清影视文化有限公司本片讲述了老一辈石油工人和儿孙之间的感人故事，展现了“铁人”第三代下岗工人家庭的实际生活状况。在这个经济高速发展的社会，道德教育似乎有些苍白无力，影片以极大诚意融入工人基层，在真诚地讲述一个实实在在的家庭故事的同时，映射出现实的各种社会现象，一方面紧紧抓牢了儿童教育，一方面亦把渐行渐远的“铁人精神”重新树立起来……
